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musicals

Take a fresh look at ‘Bridges of Madison County’

March 17, 2016 By Val Beerbower

The simplistic set design keeps the attention on the actors.

The simplistic set adaptation keeps the attention on the actors.

Megan Cooper

Megan Cooper

In yet another remarkable instance of Dayton’s big-city-small-town dynamic, we witness the wealth of arts found in large metros that’s still accessible for all potential audiences. Now through March 20, the touring cast of The Bridges of Madison County will be performing at the Schuster Center in Dayton as its makes its limited run around the country. Dayton is fortunate to land one of these few performances, and tickets start at just $25.

Val Beerbower

Val Beerbower

Those who are familiar with the story of Bridges will find the musical closely follows, but takes some creative departures. Here with their reflections and comparisons are Megan Cooper and Val Beerbower, cultural arts enthusiasts.

VB: This adaptation from book to musical bypasses some of the conventions used to adapt the book to the 1995 film starring Meryl Streep and Clint Eastwood. The musical pulled out story lines from other characters, including the neighbors, who offer a little comedic relief. We also get to know lead female character Francesca’s family better through the musical, which gives the story more depth.

Other characters' storylines are more prominent in this musical adaptation.

Other characters’ storylines are more prominent in this musical adaptation.

MC: Reviews of the film are lopsided because people loved the acting and the actors but weren’t wild about the script. Fortunately, the musical avoids this fate because they introduced these additional storylines. Additionally, the musical provides a little extra closure between the characters you don’t get in the film. One could argue that if you didn’t care for the film, you should see the musical, thanks to these adaptations.

VB: The musical styles selected by the composer (Jason Robert Brown, The Last Five Years, Parade, Songs for a New World) reflect another kind of adaptation. Italian-born Francesca is somewhat of a misfit as a housewife on an Iowa farm, and her solos are sweeping arias that are more opera than musical. It’s an interesting way to juxtapose a character using the songs themselves as the medium.

Bridges of Madison County the musical is in Dayton through March 20 on its limited US tour.

Bridges of Madison County the musical is in Dayton through March 20 on its limited US tour.

MC: Agreed, the music was phenomenal. You might not catch yourself humming the tunes the next day, but they are very well composed and do a great job of conveying the story. The music moves the plot along rather than create a distraction. Likewise, the set design was very simplistic and not distracting. The set cleverly employed the actors to move the staging around, and the actors’ movements coupled with strategic lighting cued you into whether they were an active part of the scene or simply adding background.

VB: It was unusual that in the musical – a story about a photographer shooting covered bridges – you didn’t really see a single physical bridge in the play. But it worked because your focus was on the actors.

MC: Don’t worry, there are still plenty of covered bridges to see in the Schuster’s gallery spaces. The current display, “The Bridges of the Miami Valley,” presented by the Visual Art Center of Preble County, showcases an array of paintings, sculptures, and other locally produced works of art depicting the Dayton region’s covered bridges.

The Bridges of the Miami Valley is the current visual arts display in the Schuster Center.

The Bridges of the Miami Valley is the current visual arts display in the Schuster Center.

The Visual Art Center of Preble County put together this gallery featuring local artists depicting famous covered bridges in the region.

The Visual Art Center of Preble County put together this gallery featuring local artists depicting famous covered bridges in the region.

Filed Under: Downtown Dayton, On Stage Dayton Reviews Tagged With: arts, Dayton, Dayton Ohio, Downtown Dayton, Events, musicals, Schuster Performing Arts Center, Theater, Things to Do, Things to do in Dayton

‘Fiddler on the Roof’ Review – Cedarville University – Prolonged Exodus

February 5, 2015 By Russell Florence, Jr.

Fiddler on the Roof

Robert Rhodes as Tevye in Cedarville University’s production of “Fiddler on the Roof”

Cedarville University’s production of Joseph Stein, Jerry Bock and Sheldon Harnick’s classic 1964 musical “Fiddler on the Roof,” based on the stories of Sholom Aleichem, is deflated by awkward, inadequate musicality.

Barring technical difficulties, there’s no reason in the world why anybody’s staging of “Fiddler” should produce an Act 1 heading toward two hours. But this is exactly what’s happened at Cedarville due to weak music direction by conductor Carlos Elias who hasn’t mastered the timing within Bock and Harnick’s score, superbly accenting an endearing story of a poor Jewish family coping with change in their tiny Russian village of Anatevka in 1905.

In Elias’ hands, the waltzes are startlingly slow (“Sunrise, Sunset” is particularly painful) and the sprightly sentiments (“If I Were a Rich Man,” “To Life,” snippets of “Tevye’s Dream”) lack vigor. The only number that truly resonates in terms of musicianship is “Do You Love Me?,” an Act 2 gem containing an engaging, conversational essence (akin to “I Remember It Well” from “Gigi”) that constantly flows thereby avoiding any sense of derailment.

Thankfully, “Do You Love Me?” is also a signature moment because of the wonderful rapport and lyric-driven astuteness of Robert Rhodes and Anna Caroline Porter as Tevye and Golde. Throughout the tune, which finds Tevye and Golde tenderly reminiscing about their marriage, Rhodes and Porter beautifully connect with humor, depth and a mutual understanding that their love will survive no matter what the future holds. Excellent portrayals under the direction of Diane Conrad Merchant extend to the sharp, witty David Widder-Varhegyi as humble tailor Motel and a marvelously firm Madison Hart as the daring Chava who defies her family with dramatic results.

Choreographer Carrie Anthony’s commendable routines bursting with personality and colorful exchanges, Robert Clements’ first-rate scenic and lighting design, and Debbie Hamrick’s attractive period costumes are additional assets of this presentation still in search of its musical pulse.

“Fiddler on the Roof” continues through Feb. 8 in the DeVries Theatre of the Stevens Student Center at Cedarville University, 251 N. Main St., Cedarville. Performances are Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 3 p.m. Act One: 1 hour and 45 minutes; Act Two: 55 minutes. Tickets are $12-$15. For tickets or more information, call (937) 766-7787 or visit www.cedarville.edu

Filed Under: On Stage Dayton, On Stage Dayton Reviews, The Featured Articles Tagged With: arts, Cedarville University, family musicals, Fiddler On The Roof, musicals, On Stage Dayton, Superfry, Theater, Things to Do

‘Working’ Review – Dayton Playhouse – It’s a Living

February 4, 2014 By Russell Florence, Jr. Leave a Comment

working

Suzanne Clabaugh and William “Kip” Moore rehearse a scene from “Working” with director Jim Lockwood (Contributed photo)

The Dayton Playhouse delivers an admirable, often touching production of Stephen Schwartz and Nina Faso’s 1978 musical “Working,” based on Studs Terkel’s 1974 book “Working: People Talk About What They Do and How They Feel About What They Do.”

Nearly 30 wide-ranging occupations from a publicist and project manager to a community organizer and fundraiser are the lifeblood of this meaningful, intermissionless outing insightfully conceived from a series of interviews. The allure of the material, including additional contributions by Gordon Greenberg, rests in its endearing simplicity reminding us that every worker contributes to the productivity of our society. Some jobs may seem trivial or underhanded, but all of them undeniably serve a purpose. The dialogue, flowing with smooth transitions by director Jim Lockwood, is peppered with personality and depth by an assortment of terrific songwriters including Schwartz, Craig Carnelia, Mary Rodgers, Micki Grant and James Taylor. The Playhouse uses the revised 2011 version, which particularly trims the cast to six and incorporates new professions (including a Verizon tech support and fast food delivery employee) and two songs from Tony Award-winning composer Lin-Manuel Miranda (“In the Heights”). Interestingly, the revised script also effectively remembers the unemployed.

A true ensemble showcase, “Working” features enjoyable, entertaining portrayals from a vocally sufficient cast. Matt Poliachik incites laughs and groans as a privileged student who seemingly has his life all planned out. He also offers a sincerely plaintive rendition of Carnelia’s wonderful Billy Joel-esque tune “The Mason.” Matthew Clifton is equally humorous as the aforementioned fast food worker and a crazed ex-newsroom assistant. Lynn Kesson, sweet and grounded, particularly joins Clifton for the impactful duet “A Very Good Day,” which focuses on the joys and concerns of an elder care worker and a nanny. Suzanne Clabaugh gives credence to her earthy assignments as a prostitute and cleaning lady. Tori T. Tuccillo adeptly inhabits an agitated school teacher (“Nobody Tells Me How”) and an energetic waitress (“It’s an Art”). In addition to rendering a tender version of Schwartz’s moving “Fathers and Sons,” William “Kip” Moore, in a welcomed return to the Playhouse, simply mesmerizes as a retiree discussing the monotony of his daily routine (“Joe”).
Scenic designer Chris Newman’s metropolitan backdrop, Allison Eder’s understatedly organic choreography, and musical director Lorri B. Topping’s fine onstage band are added benefits.

“Working” continues through Feb. 16 at the Dayton Playhouse, 1301 E. Siebenthaler Ave., Dayton. Performances are Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. The production is performed in 90 minutes without intermission. Tickets are $17 for adults and $15 for seniors and students. For tickets or more information, call (937) 424-8477 or visit online at www.daytonplayhouse.com

 

 

 

 

 

Filed Under: On Stage Dayton, On Stage Dayton Reviews, The Featured Articles Tagged With: Comedy, Dayton Playhouse, musicals, Nina Faso, Stephen Schwartz, Studs Terkel, Theater, Tony Award, Working

Coming up in Dayton Theatre, 9/20 – 9/29

September 19, 2013 By Sarah Caplan Leave a Comment

Hello again! Welcome back and hello! We’ve got three good shows closing this weekend, a couple still running and one getting ready to open. Let’s get right on stage.

Closing This Weekend!

 

Hairspray!

Dayton Playhouse
hairspray-the-musicalThe Skinny: This high-spirited musical musical takes place in 1962 in Baltimore, Maryland. Teenager, Tracy Turnblad, dreams of dancing on The Corny Collins Show, a local TV dance program. When Tracy wins a role on the show, she becomes a celebrity overnight. She then launches a campaign to integrate the show. The show deals with injustices of parts of American society in the 1960’s.
Dates: Hairspray runs this weekend, closing Sunday, 9/22.
Tickets: Please visit the Dayton Playhouse website at www.daytonplayhouse.com

Hair

Beavercreek Community Theatre

hairThe Skinny: The American Tribal Love-Rock Musical!This show introduced America to the “Rock musical”, with songs that became standards, such as “The Age Of Aquarius” and “Easy To Be Hard.” Hair focuses on a “tribe” of hippies, touching on several different individual stories, woven throughout with the tragedy of the Vietnam conflict.
Dates: Hairs also closes this weekend, Sunday 9/22.
Tickets: Please visit www.bctheatre.org

First Baptist of Ivy Gap

ivygap_logoThe Skinny: During WWII, six women gather at the church to roll bandages and plan the church’s 75th anniversary. Overseeing things is Edith, the pastor’s wise-cracking wife who dispenses Red Cross smocks and witty repartee to Luby, whose son is fighting in the Pacific; Mae Ellen, the church’s rebellious organist who wants to quit but hasn’t the courage; Olene, who dreams of a career in Hollywood; Sammy, a shy newcomer with a secret; and Vera, an influential Baptist with a secret of her own. When Luby learns her son has been wounded, she confounds the others by blaming the vulnerable Sammy. Twenty-five years later, our “First Baptist Six” reunite!

Dates: Closing Sunday, 9/22

Tickets: To make ticket reservations, please call the Brookville Flower Shop at 937-833-3531

Opening This Weekend!

Harvey

harveyThe Wright State Theatre Company
The Skinny: Elwood P. Dowd is an endlessly pleasant & delightfully eccentric bachelor living in a small town that isn’t quite aware that its newest citizen is a 6’3″ white rabbit named “Harvey,” that only certain people can see.
Dates: Harvey opens Thursday, 9/19 and runs through 9/29
Tickets: Please visit the WSU Theatre Department box office website: http://www.wright.edu/theatre-dance-and-motion-pictures/performances/ticket-information

Currently In Production

Becky’s New Car

The Human Race Theatre Company

ndbeckyThe Skinny: Becky Foster is stuck in neutral—middle aged, in middle management and a middling marriage—until an honest misunderstanding with a wealthy widower offers her the chance at an exciting double life…and she takes it. Now she’s frantically juggling to keep her two worlds apart before everything threatens to come crashing down on her. It’s enough to drive Becky off a cliff, and she’s taking the audience along for the ride!

Dates: Running through the 29th.
Tickets: Please visit the Human Race Theatre Company website at www.humanracetheatre.org

A Mighty Fortress Is Our Basement

La Comedia Dinner Theatre

lacomedia-mighty-fortressThe Skinny: The fourth installment in the popular Church Basement Ladies series takes place in 1960, and reformation is underway. The Church Basement Ladies are once again required to face chance head-on, but they will stand strong in their faith and their friendships.

Dates: Closing 10/27.

Tickets: Please visit the La Comedia website at www.lacomedia.com

Filed Under: On Stage Dayton, The Featured Articles Tagged With: Beavercreek Community Theatre, Brian Sharp, Brookville Community Theatre, Dayton Playhouse, dayton theatre, hair, Hairspray, Human Race Theatre Company, la comedia dinner theatre, musicals, wright state theatre department, wright state university

Sing it Strong, Sing it Loud

June 14, 2011 By Katherine Nelson Leave a Comment

Altar Boyz

ENCORE THEATER COMPANY

The quintessential Boy Bands: upbeat (and often emotional) music… slick choreography… the perfect individual and group images… slightly-too-perfect rhymes… the Soul Sensor DX-12? Well, maybe not for any other boy band, but for the Altar Boyz, it’s key! During the final concert of their “Raise the Praise” tour, the Boyz seek to reduce the number of burdened souls in the audience (indicated by the number on the Sensor) to zero.

“Jesus called me on my cell phone / No roaming charges were incurred / He told me that I should go out in the world / And spread His glorious word”

Altar Boyz, presented in real time as that concert, is a satirical, “foot-stomping, rafter-raising musical comedy,” and the fictitious Christian boy band includes five Ohio members: Matthew, Mark, Luke, Juan, and Abraham (who, actually, is Jewish). Some of the Boyz’ signature hits include “Rhythm in Me,” “The Calling,” and “I Believe.” Directed and choreographed by Lauren Morgan and musically directed by Mark Barnhill, this Dayton premiere kicks off Encore Theater Company’s summer season, and runs for one weekend only, June 16 – 18.

“We think that church is super fine / We are the Altar Boyz / We love the wafers and the wine / We are the Altar Boyz / And I think / You’ll find….. We’re gonna altar your mind!”

This show is unique in that each cast member must be a triple-strength performer, because everyone is acting, singing, and dancing for nearly the entire show! Therefore, learning the show has been hard work, but the actors I spoke with were excited about the challenges they’ve faced and the strides they’ve taken as performers. The cast includes students and/or Dayton residents Drew Bown, Andrew Koslow, Korey Harlow, Zack Steele, and Zach King, with a special appearance by local Muse Machine alumnus and Broadway performer Tyler Maynard as “the Voice of God.”

“When I hold your body next to mine / it feels so good / and feels so right / and it also makes my Levis feel real tight… / and I know that there is something about you, baby…/ Girl, you make me want to wait.”

Not only does the cast play a great team onstage, but everyone has an excellent collaboration as well. Each of the cast members are or have studied some type of theatre at the collegiate level, and most are new to Encore Theater Company’s mainstage; however, they’ve all contributed unique talents and abilities to make this show strong and fluid, to refine timing of the show’s extensive humor and rehearse even the most difficult 5-part harmonies. Koslow, who plays Mark, explained in an interview with onStageDayton,

Andrew Koslow, "Mark"

“The most rewarding thing for me about this show is how much we’ve truly banded together (pardon the pun) to make this show happen. We’ve run into a thousand road blocks, from losing cast members to sometimes only having two Boyz available for certain rehearsals due to commitments to other shows. Despite all that, we’ve put together an incredible and entertaining show… I truly couldn’t be prouder of our entire cast and production team.”

That commitment and collaboration have paid off: Zack Steele, who plays Juan, praises,

Zach Steele, "Juan"

“[Altar Boyz] will have [audience members] crying from laughing so hard. The script is bulletproof and the Boyz’ chemistry on stage will carry you on a journey all the way through curtain call. The singing is great and the satire is ever-present.”

Koslow added,

“I truly believe there is something for everyone in this show, and no one can prove me wrong unless they come and see for themselves.”

“You know The Bible tells you God’s the one that made you / So get out on the dance floor And shake what He gave you!”

So, whether you’re holding onto music of the early ‘90s or just love to make fun of boy bands, Altar Boyz is the perfect show for you. Don’t miss it!

Tickets & Performance Information

Altar Boyz – June 16 – 18, 8:00 pm

Encore Theater Company

Performances will be held at Sinclair Community College’s Blair Hall Theatre. Tickets are $15 and can be reserved through http://brushfire.e-vent.info/Events/Sinclair/Default.aspx, by contacting (937) 512-2808 (be sure to leave a message) or [email protected]

For more information, check out the Altar Boyz blog or Encore Theater Company.

~KN

Filed Under: On Stage Dayton, On Stage Dayton Previews, The Featured Articles Tagged With: Dayton, Dayton Ohio, downtown, Downtown Dayton, Encore Theater Co., musicals, sinclair community college, theatre, Things to Do

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