Dayton Most Metro

Things to do in Dayton | Restaurants, Theatre, Music and More

Dayton

GRAMMY award winning jazz comes to The Brightside Sunday October 20th!

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The Brightside Music & Event Venue invites you to another intimate evening of world class jazz-funk-world music from 3x Grammy award winning guitarist Bob Lanzetti, of Snarky Puppy fame!

Bob Lanzetti is a Brooklyn, NY based professional guitarist, composer, producer, and educator. He has performed and recorded with many artists throughout the NYC area as well as played in over 40 countries with the three time Grammy Award Winning jazz/funk collective, Snarky Puppy: Best R&B Performance in 2014 (“Something” featuring Lalah Hathaway), and Best Contemporary Instrumental Album in 2016 and 2017 (“Sylva” with Metropole Orkest and “Culcha Vulcha”, respectively).

Bob Lanzetti’s group consists of a collective of old friends who have been playing together in a variety of settings for over a decade. The band is able to move as one, effortlessly changing styles as well as weaving between composition and improvisation. The group draws inspiration from many genres of music. In a given performance you can hear hints of Americana, jazz, avant-garde, rock, afro-beat, country, and free improvisation, sometimes all within the same tune. Currently the group consists of Jordan Perlson on drums (Adrian Belew, Banda Magda, Becca Stevens Band) and Matt Aronoff on bass (Banda Magda, Fred Hersch, Kenny Werner).

Bob released his debut record as a leader entitled, Whose Feet are These That are Walking, in fall of 2017 to positive reviews and has done a number of US tours in support of the album.

HOW TO GO?

Sunday October 20, 2019

at The Brightside Music & Event Venue – 905 E 3rd St

Doors 7pm. Show 8-10pm

Advance tickets $10 (https://www.brownpapertickets.com/event/4372687)
Day of show $15

All ages Welcome!

Dixon’s Violin is a mesmerizing performance you don’t want to miss!

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Dixon’s Violin performs at The Brightside Music & Event Venue on Friday October 18, 2019.

Downtown’s newest indoor music venue, The Brightside, is dedicated to providing a true variety of quality music to Dayton’s audiences. This weekend proves that point! On Friday they host Dixon’s Violin, as seen on TED.com, at Electric Forest, at Burning Man, and across North America. This is a rare opportunity to see this mesmerizing music up-close-and-personal in their intimate listening room space!

The world’s premier visionary violinist, Dixon’s life mission is to inspire people – and he has done so across North America, including giving three TED talks/performances, performing for over ten years at Burning Man, plus radio, TV, and film appearances. A former technology leader and symphony violinist, Dixon walked away from a distinguished career to follow his dream full-time, and invented a whole new music genre. Dixon now improvises on a 5-string electric violin with a looping system he developed to create an all-live one-man symphony, guided by his remarkable personal story of life transformation.

Kicking off the show is Dance Furiously, a rock and roll orchestration of funk, electronica, jazz, pop & soul that blends together a compelling sound which tells the story of a thriving music community in Columbus, Ohio. The group emphasizes live improvisation & expression thru their live show and consistently opens up their songs and reinterprets them to make them sound uniquely new, each time.

HOW TO GO?

Friday October 18th

at The Brightside Music & Event Venue
905 E 3rd St
Dayton, OH 45402

7:00 PM Doors Open
8:00 PM Dance Furiously
9:00 PM Dixon’s Violin

Tickets: https://www.eventbrite.com/e/dixons-violin-at-hannahs-tickets-67059632165
$12 advance tickets / $15 day of show

All ages are welcome, children 12 and under are free!

Remember the Dead Sunday, Oct 20th at Dia de los Muertos Parade & Celebration

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Day of the Dead (Dia de los muertos) is a Mexican holiday celebrated throughout Mexico, in particular the Central and South regions, and by people of Mexican ancestry living in other places, especially the United States. The holiday focuses on gatherings of family and friends to pray for and remember friends and family members who have died, and help support their spiritual journey.

This Sunday, October 20, 2019, Dayton celebrates Dia de los Muertos, and honor the lives of loved ones who have passed. Pre-parade festivities start at 2pm. The parade starts at 4pm, and will travel through the Oregon District on Fifth Street, and arrive at the Missing Peace Art Space for the post-parade celebration from 5-8pm. There will be beautiful altars (offrendas) to enjoy, along with food, music, and dancing!

This event is a vibrant celebration and extra special way to carry on the memory of those we love and miss.

How to Go?

Sunday, October 20, 2019 at 2 PM – 8 PM

Missing Peace Art – 234 S Dutoit St, Dayton, OH

Find out more here: https://www.facebook.com/events/1130143073846015/

Perfect Patios for Pups!

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Enjoy the patio at Wheat Penny with your pup!

It doesn’t get much better than quality time outside with man’s best friend and a cold drink in your hand. With the heatwave over and temperatures falling back to normal, some of our most comfortable patio days are ahead of us. Not sure what patios are dog friendly? Have no fear! Listed below are a few of our favorite canine friendly patios in the area. Be sure to check back as our list is sure to grow:

Dayton:

  • The Barrel House – 417 E. 3rd Street, Dayton
  • The Trolley Stop – 530 E. 5th Street, Dayton
  • Corner Kitchen – 613 E. 5th Street, Dayton
  • Toxic Brew Company – 431 E. 5th Street, Dayton
  • Lily’s Bistro – 329 E. 5th Street, Dayton
  • Fifth Street Brewpub – 1600 E. 5th Street, Dayton – (Dogs allowed Wednesdays only 6-9PM)
  • CoCo’s Bistro – 250 Warren Street, Dayton
  • Dublin Pub – 300 Wayne Avenue, Dayton

    Libby Ballengee enjoys Lily’s Bistro’s front patio with Stella.

  • South Park Tavern – 1301 Wayne Avenue, Dayton
  • Wheat Penny Oven & Bar – 515 Wayne Avenue, Dayton
  • Milano’s  – 1834 Brown Street, Dayton
  • Dayton Beer Company – 41 Madison Street, Dayton

Suburbs:

  • Archers Tavern- 9496 Dayton Lebanon Pike, Centerville
  • El Meson – 903 E Dixie Dr, West Carrollton
  • Eudora Brewing Company – 3022 Wilmington Pike, Kettering
  • Ray’s Wine and Spirits Grill – 8268 N. Main Street, Dayton
  • Mack’s Tavern – 381 Miamisburg Centerville Road, Centerville
  • Flavors Eatery – 865 E. Franklin Street, Centerville
  • Zink’s Meats & Fine Wines – 409 Miamisburg Centerville Road, Centerville
  • Heather’s Cafe – 505 S. Main Street, Springboro
  • Yellow Springs Brewery – 305 Walnut Street, Yellow Springs
  • Ye Olde Trail Tavern – 228 Xenia Avenue, Yellow Springs

 

 

If you know of other pup friendly patio’s, post them in the comments below so we can add them.

International Tap Dance Sensations Perform Exclusively at The Brightside on Sunday Sept 22nd!

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The Brightside is proud to present, The Tap Factor in “Soul’d Out!” a live music event featuring Tap dance sensations Christopher Erk, Derick K. Grant, Anthony J. Russo, and Jabu Graybeal. They invite you to share an evening with these four globetrotting Tap dancers as they give their only public performance locally after spending a month touring their show ‘Feet Speak” throughout Dayton area public schools on behalf of the Muse Machine. Accompanied by Dayton’s own Premium-Blend Music, this highly energetic and collaborative dose of music and Tap dance is a “don’t miss” event for all ages!

3 ticket options available for this show:
$20 General Admission advance ticket ($25 day of show)
$40 ticket plus Meet & Greet
$50 ticket plus Tap class and Meet & Greet

Schedule:
4:30-5:15 – All-inclusive Tap dance class – no experience necessary ($50 ticket option – includes all below too)
5:15-6:00 – Sound Check + Meet & Greet / Photo Op ($40 ticket option – includes performance too)
6:00-6:30 – General Admission Doors
6:30-8:00 – Performance ($20 ticket adv / $25 day of show)

More about performers and The Tap Factor:
– Christopher Erk (New York City/Los Angeles) – Performed in the Off-Broadway touring production of Tap Dogs; Founding Artistic Director of the Tap Factor; Absinthe, Caesar’s Palace Las Vegas; Scott Bradlee’s Postmodern Jukebox

– Derick K. Grant (Boston/New York City) – Performed in Broadway’s original cast, Bring in ‘da Noise, Bring in ‘da Funk; Creator of Imagine Tap

– Anthony J. Russo (St. Louis/New York City) – performed in Off-Broadway touring production of Tap Dogs; Cirque du Soliel; Founder of Tapademics; Absinthe, Caesar’s Palace Las Vegas

– Jabu Graybeal – Recipient of the Young Arts Award; Member of the North Carolina Youth Ensemble; Highlight in Dance Spirit Magazine as one of “Tap’s Next Generation of Stars”

The Tap Factor is performing on Sunday September 22, 2019 at The Brightside in downtown Dayton. PHOTO BY SARAH BABCOCK

– The Tap Factor was founded in Dayton by former resident Christopher Erk over ten years ago. While teaching at Wright State University, Sinclair Community College, Dayton Dance Conservatory and beyond, participants would meet weekly at the Tap Factor’s Front Street studio where donation-based Tap classes evolved into a local community of dancers that could be found sharing their joy for Tap at city events throughout the year. Since then, they have taken to the stage collaborating with organizations such as Best Buddies, the Boys and Girls Club of America, with performances at Carnegie Hall and more. Check out the Tap Factor’s journey online by visiting www.thetapfactor.com

World Class Jazz-Funk Duo performs at The Brightside on Wed Sept 18th!

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The Jennifer Hartswick & Nick Cassarino Duo makes their Dayton debut on Wednesday September 18, 2019 at The Brightside.

The world-class jazz-funk fusion duo Jennifer Hartswick and Nick Cassarino, set out on a limited engagement tour this fall, and have picked The Brightside Music & Event Venue in downtown Dayton, to be one of the featured and exclusive performances on this debut tour! You can sit in on this intimate set this upcoming Wednesday September 18, 2019.

Trumpeter and vocalist, Jennifer Hartswick is one of the most exciting performers in music today. She exudes confidence and joy and brings her own refreshing spirit to the stage every time she performs. Jennifer’s music is honest, soulful and comes with a maturity far beyond her years. She is joined by Nick Cassarino, an incredible guitarist from Brooklyn, who blew Dayton audiences away earlier this spring with his powerhouse band The Nth Power. This duo is doing a limited engagement fall tour, and have made a special stop to downtown’s newest listening room!

Bonus! Dayton’s own guitar virtuoso, Chris Houser (from The Werks) kicks off this dynamic evening that jazz , funk, and jam fans alike won’t want to miss! Music runs from 8-11pm, which is ideal for a week night out. Pre-sale tickets are available here.

Making it extra special? This show is presented by Venus Child Productions – and is doubling as a birthday party for the Venus Child herself – Libby Ballengee!

How to go?

Wednesday September 18, 2019
The Brightside Music & Event Venue – 905 E 3rd St Dayton OH 45402

Doors 7pm. Music 8pm – 11pm.
Chris Houser at 8pm / Jennifer Hartswick & Nick Cassarino Duo 9-11pm
All ages welcome!

Pre-sales just $15! Day of show $18.
https://www.brownpapertickets.com/event/4299698

TIFF 2019 – Day #9

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Hello Everyone.

Today was my last full day of movies, and it was a strong selection.

HONEY BOY was my first film of the day – directed by Alma Har’el and written by Shia LaBeouf (did you see his performance in THE PEANUT BUTTER FALCON at THE NEON over the last few weeks?). “Actor and screenwriter Shia LaBeouf mines his own life in this confessional collaboration with director Alma Har’el, about the stormy childhood and early adult years of an actor struggling to reconcile with his abusive father (played by LaBeouf himself).” (taken from TIFF catalog)  This tough story of the “bad boy” actor coming to terms with his upbringing is at times hard to watch – but certainly worth the ride.  Performances across the board are strong – from the flashback scenes starring Noah Jupe (who is really fantastic) and LaBeouf to the more “current” scenes starring Lucas Hedges.

ROCKS – the title refers to the nickname of the main character – was up next. “British director Sarah Gavron (Brick Lane, Suffragette) returns with this intimate, honest portrait of a teenage girl who suddenly finds herself struggling to take care of herself and her younger brother.” (taken from TIFF catalog)  I love when a film that is only minorly on my radar ends up blowing me away.  I love this little gem.  So rarely do we get stories about young black girls – and this one is strong and runs the emotional gamut. It’s honest, fresh, frustrating, complicated (though simply told) and full of life – sometimes jubilant and often heartbreaking.  I hope this film gets a stateside release.

HOW TO BUILD A GIRL, my 31st film of the festival, was my last film of the day. “A working-class teenager (Beanie Feldstein) tries to reinvent herself as a hip London music critic, in this unconventional coming-of-age story based on British author Caitlin Moran’s semiautobiographical novel.” (taken from TIFF catalog)  I felt like this film didn’t go over as well with the audience while I was loving it.  There is a lot of really funny material – particularly in the first hour – that I felt others weren’t appreciating the way I did (you know that feeling when you’re the only one laughing).  The dialog is sharp, and Feldstein is brilliant.  But what starts as a charming and “innocent” film treads into adult territory as the main character is thrust into a grown-up atmosphere (which means the rating will keep the potential tween audience from seeing it theatrically).  Sadly, as the film progresses, it starts to go in a rather predictable direction. That said, I felt like the film repaired some of its missteps by the end, and ultimately I found it quite satisfying. I left the film a much bigger fan of Beanie Feldstein. There is no trailer for this film yet…but here’s a little interview piece.

I met up with a couple friends for a last hurrah in the city and then came back to begin packing my bags.  I have one more film early tomorrow morning, and then I’ll head to the airport.

Thanks for reading!

Jonathan

TIFF 2019 – Day #8

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Hello Most Metro,

Things are winding down at TIFF.  I’ve seen 28 films so far, and I have 1.25 days left.  Today seemed like a “minor” day.  Nothing extraordinary…but lots of tear to start off the day.

DADS,  a sweet documentary, was my first film of the day. “Director Bryce Dallas Howard teams up with her father, Ron Howard, to explore contemporary fatherhood through anecdotes and wisdom from famous funnymen such as Will Smith, Jimmy Fallon, Neil Patrick Harris, and more.” (taken from TIFF catalog) This little film has a fantastic opening sequence – it’s funny, poignant, inclusive, and provokes reflection and introspection and brought me to tears right off the bat. There’s a lot to love about this little film, but it does lose some steam in the third act.  (Am I getting old and tired, or do more and more films need recuts?) There is a lot of priceless material here, and the topic is valuable.

COMING HOME AGAIN was my next film. “A Korean American man cares for his ailing mother while trying to master her traditional cooking in the latest from Wayne Wang (The Joy Luck Club), based on Chang-rae Lee’s New Yorker short story.” (taken from TIFF catalog)  This film starts out in a languid manner – lots of lingering shots without much happening (except everything is happening).  A young man is caring for his mother who is dying of stomach Cancer, and the days stretch on with little happening – thus the pace. But eventually some old wounds start to surface, and some additional players enter the scene – and the performances are not of the same caliber.  In the last 25 minutes, I felt like the film went off its quiet rails and not at all in a good way.  I don’t see much box office life for this one.

LYREBIRD, my last film of the day, just got picked up by Sony Classics.   “In Dan Friedkin’s directorial debut, a soldier and member of the Dutch resistance (Claes Bang) investigates stolen art in the wake of the Second World War, including a Vermeer sold to the Nazis by a flamboyant painter (Guy Pearce).” (taken from TIFF catalog)  Based on a true story, this movie goes big (at least the score and some of the performances do) and the audience seemed to like it.  The mystery at the first act’s core was an easy solve, and the movie changes genres a couple times. Though there were aspects of the story I appreciated, my final response was more of a shoulder shrug.

Thanks for checking in.

Tomorrow is my last full day of movies, and then I need to pack my bags…I head home after one movie on Saturday morning.

Cheers,
Jonathan

Fishes & Big Dishes at NEW Tokyo Grill & Hibachi

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Do you love seafood of all sorts?  How about Japanese Hibachi Dishes?  Even Sushi?

If you said yes to any of those three questions, you may be thrilled about Centerville’s newest buffet and hibachi hybrid called Tokyo Grill Sushi and Hibachi Buffet.  This restaurant has recently opened in the old Rue Dumaine location near Sams Club on 725 near Lyons Rd.

Part of the Buffet Bar

The Food Adventures Crew was impressed with the all you can eat sushi roll choices made constantly and replaced on the bar.  We also loved the service of their hibachi grill.  You pick the ingredients, they cook it and bring it to your table.  This place is a cross between Mongolian Grill and a Chinese Buffet with good sushi.  To us the best part was the Sashimi (raw sushi with no rice).

Let’s give you the scoop – you gotta try this place….

 

HERE’S THE SKINNY on TOKYO GRILL SUSHI and HIBACHI BUFFET:

Vanilla Pudding (left) and Tuna and Salmon Sashimi (right)

—Tokyo Grill Sushi & Hibachi Buffet is located at 1061 Miamisburg-Centerville Road in Washington Twp.

— They are open seven days a week from 11am to 10pm.

— This is considered an upscale,  “high end buffet.”  Lunch is around $12.99 and Dinner is around $18.99.  Drinks are not included.

—This is one of the few times we suggest you go for dinner instead of lunch and here is why:  a) more sashimi offerings on the bar b) Shrimp and more seafood included in the raw meat section of the hibachi grill. These 2 reasons alone are worth the price difference.  You eat 2 pieces of sashimi and you have made up the difference price wise.

Nigiri section

— The restaurant seats 90 and they pack them in, sometimes tightly.   If you go on “off hours” it is not as busy.

—The owner has a couple of other locations in different states and decided to invest in a Dayton location because he was told it is a “friendly market.”

— The restaurant consists of 4 bars –
Bar 1 is desserts and raw sashimi (sushi with no rice)
Bar 2 is cooked and raw sushi rolls and nigiri (sliced sushi on top of rice).
Bar 3 is Chinese Food, Appetizers and soup
Bar 4 is the Hibachi Grill with meat and vegetable choices.

Sushi Roll Section – they have about 20 kinds of rolls

There are so many dishes here – but we are going to tell you the best of the best …

 

THE MUST EATS at TOKYO GRILL SUSHI and HIBACHI BUFFET:

—THE SASHIMI (Raw sushi with no rice):
The raw Salmon is amazing.
The raw Tuna is a treat, this is a rare chance to load up.  There are White Tuna, Octopus and sometimes Mackrel and Yellowtail slices in the sashimi section as well.

Typical sushi

—THE SUSHI ROLL BAR:
There are dozens rolls with crab, salmon, tuna, eel and more in them with avocado, cream cheese and other ingredients.  Some are even deep fried sushi rolls.
The Salmon and Tuna Nigiri (slices of raw meat on top of rice) are incredible.

—THE HIBACHI BAR:
Choices of meat include salmon, scallops, steak, chicken, shrimp, calamari, imitation crab meat and tofu.  The vegetable selection is huge!  You can choose to have your ingredients stir fried and served with brown rice, white rice, thin noodles, or thick noodles (udon).

Hibachi Meats

 

—THE VANILLA PUDDING CUPS:
We would be remiss if we didn’t mention the vanilla pudding cups on the dessert bar with a vanilla wafer on top.  A  perfect end to a night of indulgence.

 

 

If you are a hibachi or sushi fan at all, or if you love seafood, this place is worth a visit.  Heavily

Hibachi Veggies

stacked with seafood from calamari, to cooked and raw fish, there are a lot of high quality items on this buffet not usually found in an “all you can eat environment.”  In other words, if you are one of those people who spends $20 on two sushi rolls and walks out of the restaurant hungry, this could be your new favorite place.  Take advantage of the hibachi grill, soup area and all the amenities.

Tokyo Grill Sushi and Hibachi Buffet is a fun treat when your hungry for a seafood feast!  If you do not like seafood you can load up on steak and chicken at the hibachi buffet and a couple of chicken dishes at the Chinese bar.

Hibachi Bowl

Please share your comments of your Food Adventures to Tokyo Grill below !

This place is a great chance to sample delicacies like Octopus, Squid, and other seafoods you might not ever try. Give it a shot!

For more Food Adventures, like us on Facebook and join 8,000 foodies in Dayton in the discussion.

Browse our gallery below of more Tokyo Grill Sushi & Hibachi Buffet photos.

 

 

 

One of our plates

All you can eat sushi !!

Miso Soup All Day Long

This hibachi bowl was spicy with salmon, tofu and fake crabmeat

 

Seared Ahi Tuna and Mango

BUSY BUSY

About 1/4 of the bar

Hibachi Bowl is cooked for you !!!

So many sushi rolls

Seared White tuna and sauce

Cooked Octopus Sashimi

OHHH That Salmon !

Veggies at Hibachi

Dining Room

SUSHI !

Freshly prepared- all you want

Kani – imitation crab

Here is your bowl for hibachi raw ingredients to be placed into

Tuna and Salmon

Deep fried rolls , salmon and tuna -its like paradise

Spicy Crab Roll and salmon Nigiri for days ….

Tuna and Squid

dessert bar

We went overboard …AGAIN

Jalapeno Sushi

Chinese and Japanese Appetizers

More Veggies at the Hibachi

Vanilla Pudding

The sushi is terrific

Hibachi Stir Fry ! – Shrimp Scallops, Squid and more

Do you have bigger plates? How about a cookie sheet ?

View of a bar

 

 

TIFF 2019 – Day #7

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Hello Everyone.

I got to sleep in today because my first film started later than usual, and I was glad I got an extra hour in bed.  Here’s why:  Last night had me attending my first true parties of the festival.  First was a gathering with lots of LGBT industry folks – people in PR, critics, film buyers, distributors, programers, etc.  It was a nice event, and I saw a handful of people I’ve met before and was introduced to a handful more – these parties are a lot about networking, so I’m glad I went.  I was a little baffled that it was after 1:30 when I decided to leave, but upon arriving at my apartment, there was a party for A24 right across the street…and a friend had put my name on the list…so I had to check it out.  Though it was “winding down,” it was still a pretty terrific party.  I saw several people I knew (including some crossover from the earlier LGBT party), recognized numerous celebrities from films I’ve screened (WAVES, HARRIET, JOJO RABBIT, and more), and then I saw Jon Hamm.  (swoon) This party was super casual and people didn’t seem to have their guards up…what a fun way to wrap up a great day.

MY ZOE was my first film of Day #7. “A recently divorced mother is driven to extremes in this seventh film by writer-director-actor Julie Delpy — a suspense drama unlike anything she has done before.” (taken from TIFF catalog)  This film goes in a direction you’re not anticipating.  It’s a very straight-forward drama – well-acted, solid script, etc…and then you start to realize some new-fangled, sci-fi technology…but maybe it’s not so sci-fi.  This film will spur a lot of interesting dialog. (So many films at this year’s festival are about divorce and the strains they induce.)

THE KINGMAKER was my next film. “Acclaimed documentarian Lauren Greenfield (The Queen of Versailles) aims her lens at Filipino politician and former First Lady Imelda Marcos, who, despite disgrace, remains unbowed and enmeshed in her nation’s politics.” (taken from TIFF catalog)  Imelda Marcos is a great subject.  She’s funny, charming, charitable, and fumbles a bit.  She seems like the crazy, rich aunt you never knew you had….until the truth starts pouring out.  Greenfield set out to make a very different film, but the story you see unfolded before her, and she couldn’t stop filming.  What was supposed to take a year or so took five years to make, and you simply can’t believe it.  It’s political corruption like you’ve never seen…and the gullible public who seem to keep inviting it in.  This is a cautionary tale!  During the very interesting Q&A, Greenfield said that Imelda would answer every question she ever asked except one.  She wouldn’t answer “How do you feel about Donald Trump?”  I’m so glad my friend Charlie suggested I see this film.  He’s the person who suggested I see FREE SOLO and BIGGEST LITTLE FARM last year…and look what happened to those!

Imelda Marcos in KINGMAKER. Photo Credit: Lauren Greenfield.

Though HUSTLERS doesn’t initially seem like a film I’d be screening at TIFF, a critic friend told me that it’s much better than the trailer alludes…and that JLo could garner an Oscar nomination.  So, I found a way to squeeze it in…only to arrive and the venue and find out that the projector won’t start due to an AC issue.  This just goes to show that no venue is surefire – technical issues happen everywhere.  Thus I’ll have to wait and see HUSTLERS when it gets a theatrical release.  “Inspired by a 2015 New York Magazine article that went viral, Hustlers follows a savvy crew of former strippers who band together to turn the tables on their Wall Street clients. Starring Constance Wu, Jennifer Lopez, and Julia Stiles.” (taken from TIFF catalog)

LUCY IN THE SKY was my last film of the day. “After returning to earth, an obsessive astronaut (Natalie Portman) begins to question her place in the universe — including her relationships with her gentle husband (Dan Stevens) and her alluring crewmate (Jon Hamm) — in the debut feature from accomplished television showrunner Noah Hawley (Fargo, Legion).” (taken from TIFF catalog) During the first few minutes, I liked what I was seeing.  The sound design (and especially lack of sound) was great, the idea of someone returning from space and not knowing how to reintegrate was an interesting idea…but things got muddy pretty quickly.  Perhaps I wasn’t in the right mind frame, but at the end of the day, I think this film is a mess.  More and more directors are playing with aspect ratio these days (though never as well as Xavier Dolan or Wes Anderson), and though some scenes had motivation for a change in ratio, the director admitted that sometimes he just wanted to play.  And it shows – the shifts simply don’t make sense.  And there’s more that doesn’t make sense. At one moment, when Portman is purchasing items in a hardware department, she reaches over and grabs a wig…duct tape, hammer, box cutter, wig…makes no sense!  I realize this film is about a woman in the midst of an existential crisis, but I ultimately didn’t care about anyone. The accent is bad, the Dorothy Hamill haircut is bad, some of the green screen work is bad.  I rolled my eyes and shook my head numerous times during this film….and I’m ultimately sad that such a lackluster film has happened to such a great distributor.

Only 2+ more days.

Off to bed.

Thanks for reading,

Jonathan