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catherine deneuve

TIFF 2019 – Day #5

September 10, 2019 By Jonathan McNeal

Hello Most Metro!

Today was my fullest day so far.  I’m so glad I had an auxiliary battery for my phone.

MARRIAGE STORY was my first film of the day.  “Academy Award nominee Noah Baumbach’s incisive and compassionate portrait of a marriage breaking up, and a family staying together, stars Scarlett Johansson and Adam Driver, and co-stars Laura Dern, Alan Alda, and Ray Liotta.” (taken from TIFF catalog)  Within the first five minutes of this film, I wrote “It’s incredible” in my notes.  The script is fantastic, the performances are right on, and material is taxingly honest, and the supporting cast are lovely additions to the mix.  At one point, I felt like “this is getting to be too long” (a feeling I’ve had numerous times this year), but then I reconciled it by thinking “getting a divorce is tedious and insufferable – so maybe that’s the point…perhaps it suits the material to be a little too drawn out.  In a very clever marketing strategy, there are actually 2 trailers for MARRIAGE STORY…watch both in one sitting below.

After my first screening, I went to a delightful hour+ event in which Allison Janney was interviewed about her career – along with clips that illustrated some of her cinematic touchstones.  This was a pretty hot ticket, and Allison’s mother Macy was the person who scored the ticket for me.  In the coming days, I believe that TIFF will post this interview on-line, and I’ll make sure to share the link with you if I find it.  Allison is funny, smart, gracious and a great storyteller – it was a delight to hear some of her personal history.

After listening to Allison, I got to see her new film – BAD EDUCATION.  “Hugh Jackman, Allison Janney, and Ray Romano star in this fact-based dramedy directed by Cory Finley (Thoroughbreds), about an infamous school-larceny scandal that rocked Long Island in the early aughts.” (taken from TIFF catalog)  This film is pretty terrific (though I questioned some of the motivation for the queer content)!  The story’s upsetting subject matter is handled in such an interesting fashion and Jackman’s performance is unlike any I’ve seen him give before.  Janney is also in top form, and I think this film will get snatched up in no time.  Below is the image being used with this film…there is no trailer yet.

THE TRUTH – with two leading ladies I adore – was next on my list. “Acclaimed director Hirokazu Kore-eda’s (Shoplifters, Like Father, Like Son) first film made outside his native Japan stars Catherine Deneuve and Juliette Binoche as a mother and daughter in the film industry whose professional collaboration triggers long-buried resentments.” (taken from TIFF catalog)  My “review” of this film might be a little unfair because I was a bit tired when I walked into this screening.  The first half hour was pretty wonderful, but then my eyes got very heavy and I fought to stay awake.  Ultimately, I kept feeling like I wanted the pace to pick up – but maybe that was just my exhaustion speaking…or maybe it was a little too slow.  At the end of the day, I think it’s a nice film…but it won’t get the roll-out that SHOPLIFTERS did for this director.

TWO POPES was my last film of the day.  Fernando Meirelles and Jonathan Pryce and others from the team introduced the film, and Meirelles said that the reason he likes Pope Francis so much is because he wants to build bridges when so many leaders want to build walls.  Of course that deservedly got a huge round of applause. “In 2013, progressive incoming Pope Francis (Jonathan Pryce) and conservative outgoing Pope Benedict (Anthony Hopkins) debate the best path forward for the Catholic Church, in this surprisingly funny chamber piece from Oscar-nominated director Fernando Meirelles (City of God).” (taken from TIFF catalog)  That description kinda sums up the film…but not really.  It’s not just a chamber piece, it’s a pretty big, fully realized film with two incredible central performances.  I’m not a Catholic, thus I can never understand the ways of the church, but I’ve always felt like the regality surrounding the papacy seems to contradict some of the church’s messaging…and it appears that Pope Francis holds a similar sentiment.  This film made me appreciate him more. Through flashbacks and archival footage, we get a much bigger picture than just two Popes chatting.  Though the film loses a little steam in its third act, I think audiences will nonetheless adore it.  I hope Netflix does a theatrical release – more than just a couple cinemas. (I personally know many people who don’t subscribe to Netflix who would love to see this movie.)

It’s time to call it a night. Four more films are on the docket for tomorrow.

Thanks for checking in!

Jonathan

Filed Under: On Screen Dayton Tagged With: allison janney, bad education, catherine deneuve, Dayton, juliette binoche, marriage story, noah baumbach, the truth, TIFF, toronto, two popes

The Future, Restless & Big NEON News!

October 13, 2011 By Jonathan McNeal Leave a Comment

Hello Everyone,

If you still need to see LIFE, ABOVE ALL or HIGHER GROUND, you only have today (Thursday, October 13) to see them at THE NEON.  On Friday, we open two new films.  First is the new film from Miranda July – THE FUTURE.  The second is the new film from Gus Van Sant – RESTLESS.  Of course there’s lots more to announce…but I’ll get to that in a minute.  As a warning, it’s quite possible that both of our new films will only play for a week.  So hurry down if you want to see them!

Synopsis for THE FUTURE:  “When Sophie and Jason decide to adopt a stray cat, their perspective on life changes radically, literally altering the course of time and space and testing their faith in each other and themselves.” (Roadside Attractions)  From visual artist and filmmaker Miranda July comes the follow-up film to her incredible first feature ME AND YOU AND EVERYONE WE KNOW.  Visit the film’s official site.

Synopsis for RESTLESS: “Eccentric funeral crasher Enoch (Henry Hopper) finds his ideal soul mate in beautiful but mysterious Annabelle (Mia Wasikowska), who claims to work in a hospital but harbors a sensitive secret. Later, after Enoch opens up to Annabelle about his only friend, an outspoken ghost named Hiroshi, their fledgling romance is put to the ultimate test. Director Gus Van Sant teams with playwright Jason Lew to adapt Lew’s play of the same name.” (All Movie Guide) Visit the film’s official site .

[yframe url=’http://www.youtube.com/watch?v=u2FuwJh8DSs’]

[yframe url=’http://www.youtube.com/watch?v=p7t29dNoTxs’]

Monday will kick off Living City’s VAMPIRE retrospective.  First off is a classic with David Bowie, Catherine Deneuve and Susan Sarandon – THE HUNGER.  The series will include 5 Films over the course of 5 Mondays at 7:30.  Single tickets will be available at the door before each screening for $8 each.  Festival passes – good for all 5 screnings – are already available at our box office for just $30 (members of FilmDayton will receive $5 off the festival pass price).   Here are the dates and films:

October 17 – THE HUNGER (digital video projection)

October 24 – DRACULA (1931, starring Bela Lugosi – 35mm)

October 31 – THE LOST BOYS (digital video projection)

November 7 – INTERVIEW WITH THE VAMPIRE (35mm)

November 14 – BRAM STOKER’S DRACULA (1992 – 35mm).

Within the past 24 hours, we finally received confirmation that we can open THE WAY on October 21 (“the Martin Sheen film” as so many people has referred to it).  You more than likely saw or read details about Sheen and his son Emilio Estevez (who directed the film) visiting Dayton (their hometown) as they toured the country with this film.  Since then, we’ve received numerous calls about the film having a traditional engagement – but we could never get the distributor to commit to opening with us.  Alas it’s now set – so please help us spread the word.  THE WAY will open next Friday!

[yframe url=’http://www.youtube.com/watch?v=o5VZKWcgw6c’]

In the next few days, I hope to also have some good news regarding TAKE SHELTER.  This film, one of my absolute favorites from this year’s Toronto Film Festival, was shot in Ohio and has been garnering awards and kudos around the world.  Once Sony Classics confirms our opening date, I’ll get busy trying to secure some special details for audiences at THE NEON.   I’ll keep you posted!

For remaining showtimes for this week visit THE NEON’s site.

Hope to see you this weekend,

Jonathan

SHOWTIMES for October 14 – October 20:

SENNA (PG-13) 1 Hr 46 Min

Friday, Saturday, Sunday: 1:00, 5:15

Monday – Thursday:  5:30

RESTLESS (PG-13) 1 Hr 31 Min

Friday, Saturday, Sunday: 1:00, 3:00, 5:15, 7:20, 9:30

Monday: 3:15, 5:20

Tuesday – Thursday: 3:15, 5:20, 7:45

THE FUTURE (R) 1 Hr 31 Min

Friday, Saturday, Sunday: 3:15, 7:30, 9:40

Monday – Thursday: 3:15, 7:50

THE HUNGER (R) 1 Hr 37 Min

Monday: 7:30

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

Oct. 14  THE WAY

Oct. 21   THE DEVIL’S DOUBLE

Oct. 28   THE HEDGEHOG

(check out the Trailer for THE HEDGEHOG…I love it!)

[yframe url=’http://www.youtube.com/watch?v=-bLq4ehVo7c’]

Oct. 28   MY AFTERNOONS WITH MARGUERITTE

Nov. 4  TAKE SHELTER

Nov. 18  MARTHA MARCY MAY MARLENE

Nov. 25   THE SKIN I LIVE IN

Nov. ?   MARGIN CALL

Dec. 2   MELANCHOLIA

TBD   WEEKEND

Filed Under: On Screen Dayton Tagged With: catherine deneuve, david bowie, Dayton Ohio, emilio estevez, margin call, martha marcy may marlene, martin sheen, melancholia, pedro almodovar, restless, take shelter, the future, the hedgehog, the hunger, The Neon, the skin i live in, the way, vampires

SENNA and LIFE, ABOVE ALL at The Neon

October 7, 2011 By Jonathan McNeal Leave a Comment

Hello Everyone,

We’re opening two new films this weekend.  First is a documentary for which we have received numerous requests – perhaps as many as we received for BUCK.  This time, instead of a horse trainer, the subject is regarded as “the best driver who ever lived” – SENNA.  We will also open a small African film which will only play for one week.  If you’ve been to THE NEON recently, I’m almost certain you’ve seen a trailer for LIFE, ABOVE ALL – a film for which Robert Ebert gave a 100% review.

Synopsis for SENNA:  “Senna’s remarkable story, charting his physical and spiritual achievements on the track and off, his quest for perfection, and the mythical status he has since attained, is the subject of SENNA, a documentary feature that spans the racing legend’s years as an F1 driver, from his opening season in 1984 to his final, tragic race a decade later. Far more than a film for F1 fans, SENNA unfolds a remarkable story in a remarkable manner, eschewing many standard documentary techniques in favour of a more cinematic approach that makes full use of astounding footage, much of which is drawn from F1 archives and is previously unseen.” (Working Title Films)  Click this LINK to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=t6rvBiYBL-w&feature=fvst’]

Synopsis for LIFE, ABOVE ALL: “Just after the death of her newly-born sister, Chanda, 12 years old, learns of a rumor that spreads like wildfire through her small, dust-ridden village near Johannesburg. It destroys her family and forces her mother to flee. Sensing that the gossip stems from prejudice and superstition, Chanda leaves home and school in search of her mother and the truth.” (Sony Pictures Classics) Click this LINK to visit the film’s official site.

[yframe url=’http://www.youtube.com/watch?v=3GtWfPQ98Qk’]

Living City is gearing up for their VAMPIRE retrospective.  The series will include 5 Films over the course of 5 Mondays at 7:30 – beginning October 17.  Single tickets will be available at the door before each screening for $8 each.  A festival pass – good for all 5 screnings – will be available this weekend for just $30  (members of FilmDayton will receive $5 off the festival pass price).   Here are the dates and films:

October 17 – THE HUNGER

October 24 – DRACULA (1931, starring Bela Lugosi)

October 31 – THE LOST BOYS

November 7 – INTERVIEW WITH THE VAMPIRE

November 14 – BRAM STOKER’S DRACULA (1992).

Hope to see you this weekend,

Jonathan

SHOWTIMES for October 7 – October 13:

SENNA (PG-13) 1 Hr 46 Min

Friday, Saturday, Sunday: 12:20, 2:45, 5:10, 7:30, 9:45

Monday – Thursday:  3:00, 5:20, 7:50

LIFE, ABOVE ALL (PG-13) 1 Hr 40 Min

Friday, Saturday, Sunday:  12:30, 5:00

Monday – Thursday: 5:30

HIGHER GROUND (R) 1 Hr 49 Min

Friday, Saturday, Sunday: 2:40, 7:20, 9:40

Monday – Thursday: 3:10, 7:40

COMING SOON:

As always, all dates are tentative.  Some of these dates will change.

In some cases, titles may disappear.

Oct. 14  RESTLESS

Oct. 14  THE FUTURE

Oct. 21   THE DEVIL’S DOUBLE

Nov. 4  TAKE SHELTER

Nov. 18  MARTHA MARCY MAY MARLENE

Nov. 25   THE SKIN I LIVE IN

Nov. ?   MARGIN CALL

Dec. 2   MELANCHOLIA

TBD   WEEKEND

Filed Under: On Screen Dayton Tagged With: almodovar, catherine deneuve, david bowie, Dayton Ohio, life above all, martha marcy may marlene, senna, take shelter, the hunger, The Neon, vampires

Toronto – THE FILMS – Day # 5

September 13, 2011 By Jonathan McNeal 1 Comment

We’ll soon see if I can get 5 hours of sleep tonight instead of the 3-4 hours I’ve had over the past couple nights.

I saw 4 films again…which makes a grand total of 20 so far!!

First I saw SALMON FISHING IN THE YEMEN with Ewan McGregor, Emily Blunt and Kristin Scott Thomas.  A woman beside me loved it.  Another woman at a different screening later in the day started gushing about it.  So perhaps this film was specifically made for a female audience age 45-60.  I certainly did not like it!!  Though it had a couple moments that reeled me in, it’s ultimately the most uneven and slight film I’ve seen so far.  It’s a romantic comedy & ecologically/socially conscious (though full of negative stereotypes), terrorist thriller…about salmon being introduced into the Yeman.  Cutesy one minute – terrorists the next.  AKA – A Gigantic Mess, in my opinion.  Below is a clip.

[yframe url=’http://www.youtube.com/watch?v=XanH9wjBAD0′]

Next off, I saw ALBERT NOBBS – starring the absolutely incredible Glenn Close.  This film was a little more whimsical than I suspected.  That said, the film does tackle some interesting ideas – and all the more interesting is the fact that the film is based on a short story from the early 1900’s.  It’s about a woman who presents herself as a man in order to gain employment as a butler in the late 1800’s.  The film reminded me, in tone, of CRANFORD or MRS. HENDERSON PRESENTS.  Relatively jovial (at first) – but with big undercurrents of sadness and yearning.  The set design, costumes and score are marvelous…and  I should hope that Ms. Close gets an Oscar nomination (though some of the other performances are also quite wonderful). Below is a clip.

[yframe url=’http://www.youtube.com/watch?v=TG2YL7Nm_Jo’]

MONSIEUR LAHZAR was the next film I saw.  I saw this film because it was directed by the same man who did IT WASN’T ME, I SWEAR (which I saw a few years ago and loved) – Philippe Falardeau.  This French Canadian film is about a man who comes to teach in a classroom in which the former teacher had committed suicide.  He’s got his own baggage…but lots is gained from both students and teacher alike.  The frustrations of dealing with parents and administration will certainly be empathized by many of you who have taught in the public school system.  The film is very good.  The trailer below is not yet available with subtitles…as it has not yet found a distributor in The States.

[yframe url=’http://www.youtube.com/watch?v=xpi0LzyU0BQ’]

Lastly, I saw Christophe Honore’s new film – BELOVED – starring Chiara Mastroianni, Ludivine Sagnier, Catherine Deneuve, Louis Garrel, and a handful of other familiar faces.  First off, the film is much too long.  That said, I still loved so much about it.  If you’re familiar with Honore’s earlier film LOVE SONGS, this is similar (meaning there are several musical numbers – but almost presented as dialog (if you think, “Sounds like UMBRELLAS OF CHERBOURG” – we’re on the same page.).  The film spans several decades and is a candid and emotional look at contemporary sexual politics.  The opening scenes in the 60’s are delightful…and get heavier (though still with some moments of great joy) as the film progresses.  Because the film was in a smaller venue tonight, I decided to pack light and not take my camera with me.  I was surprised (but bummed that I didn’t have my camera) to find out that Honore and Garrel were present for an introduction and Q&A.  (I did manage to get a cell phone pic after the screening in a better lit space…though not a great picture, I have posted it at the end of this post.)  Below is a trailer.

[yframe url=’http://www.youtube.com/watch?v=SMmyWfjdrbA’]

More soon!!

(I didn’t make it.  Already after 1:00am…need to be up by 6:00.  Oh well.  I’ll sleep in October.)

Filed Under: On Screen Dayton Tagged With: albert nobbs, beloved, catherine deneuve, Dayton Ohio, glenn close, louis garrel, The Neon, Toronto Film Fest

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