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Jonathan McNeal

Neon News:

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We’re gonna move forward with some new films this week, but we will absolutely hold onto DRIVEWAYS for another week – NEON fans have loved it. Jane wrote, “DRIVEWAYS was a great film-we really enjoyed it!”  Richard says it’s an “Excellent film,” and Mickey chimed in with “Oh my goodness Driveways is SUCH a wonderful film!” Stuart told folks that DRIVEWAYS is, “Wonderful, poignant, one of Brian Dennehy’s best performances ever, and highly recommended.”  Thanks to all the folks who help spread the word.  If you missed the Q&A for UP FROM THE STREETS, the terrific doc about the Music of New Orleans, you’re in luck – a second has been added! A LIVE Q&A with Terence Blanchard, director Michael Murphy, and Ben Jaffe, Creative Director of Preservation Hall will take place on May 26 at 9pm ET/6pm PT – here’s the LINK where you sign up for the Free Q&A.  We’ll hold the film for another week, too!
Starting today, because we know how Daytonians have really started to embrace short films over the past few years, we are opening a collection of “petite Gallic pleasures” – NEW FRENCH SHORTS 2020.  On Friday, because we love Kristin Scott Thomas and because Dayton is proud of Wright Patt Air Force Base, we are opening MILITARY WIVES (and it’s just in time for Memorial Day).  In addition, on Friday, we will begin the next in the Magnolia Pictures’ Doc Series – A FEW OF OUR FAVORITE DOCS – where you can send in questions to each of the films’ directors (this week’s selection is LIFE ITSELF)!  (Don’t forget –  Tonight, Wednesday, May 20, is the Q&A for RBG!)
Synopsis for NEW FRENCH SHORTS 2020: “This showcase of some of the most exciting new cinematic voices from France runs the gamut from animation to romance to absurdist comedy. Revel in these petite Gallic pleasures, including award winners from Cannes, Locarno, and Palm Springs ShortFest. New French Shorts 2020 is made available through Young French Cinema, a program of UniFrance and the Cultural Services of the French Embassy. Selections include: Ahmed’s Song (Foued Mansour, 30m), Sheep, Wolf, and a Cup of Tea… (Marion Lacourt, 12m), Tuesday from 8 to 6 (Cecilia de Arce, 26m), The Distance Between Us and the Sky (Vasilis Kekatos, 9m), The Tears Thing (Clémence Poésy, 25m), Magnetic Harvest (Marine Levéel, 24m), Bonus: The Glorious Acceptance Speech of Nicolas Chauvin (Benjamin Crotty, 26m)” This collection of films will be available for viewing on most computers, phones and tablets as well as via apps on AppleTV, Roku and Firestick. Further details are available on the bottom of the official purchasing site. Click the image below to watch the trailer and gain 5 day access to this collection of films for $12.
Synopsis for MILITARY WIVES: Perfect for Memorial Day Weekend! We’re pleased to continue our partnership with Bleecker Street in bringing you their latest release, MILITARY WIVES. From the director of THE FULL MONTY and starring Kristin Scott Thomas (THE ENGLISH PATIENT) and Sharon Horgan (CATASTROPHE), it’s the feel-good movie of the year! “MILITARY WIVES centers on a group of women from different backgrounds whose partners are away serving in Afghanistan. Faced with their loved ones’ absences, they come together to form the very first military wives choir, helping each other through some of life’s most difficult moments, and quickly find themselves on an international stage.” (Bleecker Street) THE DAILY MAIL calls MILITARY WIVES “Hugely engaging, enormously moving.”  Starting May 22, you’ll be able to gain 72 hour access to the film for just $4.99. Click the image below to watch the trailer…the link to purchase the film will be available starting Friday on our website.
MAGNOLIA PICTURES: A FEW OF OUR FAVORITE DOCS is already underway with RBG, and you’ve been invited to ask questions to the directors.  Each Friday, we’ll start a virtual engagement of a great documentary for just $5.00 each.  On the following Wednesday, you can attend a live virtual Q&A with the film’s director – and you’ll be able to submit your own questions in advance. You can either submit them over email to [email protected], or they can tweet at Magnolia by using the hashtag #magnoliadocseries.  Here’s the line-up (click the titles to watch the trailers…the link for RBG and LIFE ITSELF are also where you can gain 72 hour access to each film for $5):
RBG starts on May 15. (Q&A on 5/20 with directors Betsy West and Julie Cohen, moderated by Melena Ryzik from the New York Times)
LIFE ITSELF starts May 22. (Q&A on 5/27 with Chaz Ebert in conversation with director Steve James)
BLACKFISH starts May 29. (Q&A on 6/3 with director Gabriela Cowperthwaite)
HAIL SATAN? starts June 5. (Q&A on 6/10 with director Penny Lane in conversation with Lucien Greaves, head of The Satanic Temple.)
When you purchase access to each film for $5, you will also get invited to that film’s Q&A event and 10% of all the national sales will go to a charity of the filmmaker’s choice.
Due to the uncertainty of the coming weeks/months, the DAYTON JEWISH FILM FESTIVAL has decided to go mostly virtual this June instead of postponing or canceling…and the preview event on June 2 is right around the corner. Though we’ll certainly miss hosting this fantastic festival at THE NEON, we think they’ve made a wise decision!! Check out their awesome line-up by clicking the image below!  It’s their 20th anniversary, and they’re making all the screenings and on-line discussions FREE!!
Wanna know what’s coming down the road? (Click any title to watch that film’s trailer.)  On May 27, foodies will delight in the new documentary DIANA KENNEDY: NOTHING FANCY. Also on the 27th, lovers of classic cinema and film history will adore THE GHOST OF PETER SELLERS. On June 12, we will open the documentary FOR THEY KNOW NOT WHAT THEY DO – Daniel Karslake’s follow-up to his film FOR THE BIBLE TELLS ME SO. And sometime in June, we hope to open THE TOBACCONIST – a film I saw and loved at The Cleveland International Film Festival last year.  We’re working to make this a sidebar or encore to the Dayton Jewish Film Festival…and you’ll be invited to participate in a post-screening discussion with yours truly.
There are many other irons in the fire right now, and THE NEON is working hard to make sure that when we’re able to re-open, we can do it as safely as possible. I’ll keep you posted.

NEON Trivia & “Virtually” Playing BOOKSELLERS and BALLOON!

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WOW!  Friday’s “Curbside Candy Clearance & More” was a huge, huge hit.  Some people waited over 90 minutes, and cars were lined up around the block.  Love for THE NEON was pouring in, and we were blown away!  Many, many thanks for all of your support!  (One family was even watching THE WOMAN WHO LOVES GIRAFFES on an i-pad while they waited – BRILLIANT!)  This Friday, we’ve got something completely different for all of you folks with Facebook and Instagram – “TEST YOUR NEON KNOWLEDGE” – NEON Movie Trivia Live!  More details below.
Next up in our “Virtual Cinema” are two new, great films.  The first is for all the book lovers of the world – THE BOOKSELLERS – a wonderful documentary that was executive produced by Parker Posey.  (I love a good bookstore – from the labyrinth of Strand and the charm of Three Lives Books in NYC to our neighborhood treasure Bonnett’s in the Oregon District.)  The second film is a nail-biting political thriller set during the time of the Berlin Wall – BALLOON – and it’s based on a true story!
Synopsis for THE BOOKSELLERS: “Antiquarian booksellers are part scholar, part detective and part businessperson, and their personalities and knowledge are as broad as the material they handle. They also play an underappreciated yet essential role in preserving history. THE BOOKSELLERS takes viewers inside their small but fascinating world, populated by an assortment of obsessives, intellects, eccentrics and dreamers.” (Greenwich Entertainment) Executive produced by Parker Posey. The Hollywood Reporter wrote, “A treat for anyone who appreciates the printed word.”  You can access this film virtually for 72 hours for $9.99.  Just click the image below. A note from this distributor for this particular film: “You can watch on your desktop, tablet, smartphone, Chromecast or AirPlay. If you prefer to watch on another device, check this here before your purchase.”
Synopsis for BALLOON: “In the summer of 1979, the Strelzyk and Wetzel families-who had been working on their audacious plan for more than two years-try to flee East Germany in a self-made hot-air balloon. But after the balloon crash-lands just before the West German border, the Stasi find traces of the attempted escape and immediately launch an investigation. In a nerve-wracking race against the clock, the two families attempt to build a new escape balloon as the Stasi get closer and closer each day…” (Distrib Films) Click the image below to visit the site where you can watch the trailer and then purchase 72 access to the film for $10. A note from the distributor about BALLOON: “You will be able to watch the film for 3 days on any computer, laptop, ipad, chromebook or other mobile devices. IMPORTANT: The only way to watch this film on a television is to mirror or cast from one of the above devices to your television.”  (I watched this one with an HDMI cable from my computer to my television.)
And for one more week, we’ll continue to offer THE WOMAN WHO LOVES GIRAFFES and THE TIMES OF BILL CUNNINGHAM.  Visit our website – www.neonmovies.com – for all the details!
Wanna know what’s coming down the road? (click any title to watch that film’s trailer)  On 4/29, we’ll open a film I saw and loved at The Cleveland International Film Festival last year – WHAT SHE SAID: THE ART OF PAULINE KAEL.  This terrific documentary is for anyone who loves the movies.  In addition, we will open a documentary that many of you will be excited about – THE DOG DOC.  We’ll be partnering with and donating $1 of every download to a really special organization – Ellie’s Rainy Day Fund – which works through veterinary request to support families that would otherwise be in danger of losing their beloved furry family members to veterinary emergencies they cannot afford to treat. To learn about Ellie’s Rainy Day Fund, please visit https://elliesrainydayfund.org/.  On May 6, we are slated to open 2 more films.  The first is a truly inspiring documentary about a high school where 91% of the students qualify for free lunch and where 90% graduate each year – PAHOKEE.  In addition, we’ll open a smart, rapid-fire comedy that moves at the pace of those beloved Golden Age comedies like HIS GIRL FRIDAY and BRINGING UP BABY – STRAIGHT UP.
Thanks to our friends at Row House Cinema, you have a chance to make your cats the stars they were meant to be! “Now that we are all quarantined at home with our cats, let us use this time to raise money for independent cinemas across the country. Videos selected will be joined with others, becoming the QUARANTINE CAT FILM FESTIVAL. THE NEON will sell tickets to the film, and receive 50% of the net proceeds. With your help, we are hoping cats will help to save independent movie theaters through this unprecedented quarantine. The videos will be judged in four categories: Cutest, Funniest, Bravest, and Most Loving. There will be a Best Of Show award as well. The videos will be judged by cat experts who are very opinionated. The cash prize amounts will be determined closer to the film’s release…Winners will be notified before the release of the film and identified in the film.” (Row House Cinema) Here’s the LINK with all the details!
Over the past few weeks, many have reached out and asked how you can help during our time of closure…and we truly appreciate your support!  One great way you can help is by spreading the word about our virtual offerings!  90% of the films we will offer virtually are not available on any other platform.  Please send people to our website, urge them to sign up for our newsletter and encourage them to enjoy one of our curated films.  And because we are now a non-profit, there’s another way you can help – by making a donation.  And your gifts are tax deductible! If you’d like to make a donation to THE NEON, we’ll certainly put it to good use – just mail a check to THE NEON, 130 E 5th St., Dayton, OH  45402.  We’ll make sure you get a receipt for your records.  One of our customers requested that his employer match his donation – very cool!…so we are now set up with Benevity (a platform that many large companies use to match charitable donations).  And as of late last year, we are also set up with The Dayton Foundation under “Dayton Movies dba The Neon.”
A Note About Our Virtual Offerings! It’s hard to believe that one month ago, offering films virtually wasn’t even something we had considered.  But many indie distributors stepped up very quickly and began to figure out ways to help us maintain a bit of revenue during these tricky times.  Each distributor comes with a different set of rules and prices, and all of us are learning a lot in the process of exploring multiple platforms.  Please know that you can always view the film from your browser (on your PC, laptop or ipad), and in most circumstances there are ways to access the media on your TV (via an app, syncing your wireless device with your TV, and more).  I’m a little “old fashioned”…I still hook an HDMI cable from my laptop to my TV – just like a bluray player (it works great).
And here’s the special news for Friday.  I’ll be on Facebook Live & Instagram Live on Friday, April 24 at 4:00 with a game where you can win prizes – TEST YOUR NEON KNOWLEDGE!  I’ll ask a series of 15 trivia questions, and you can email in your answers by 10pm on Friday night to [email protected]. Winners will be revealed on Saturday afternoon. You can find us on Facebook at https://www.facebook.com/neonmovies and here’s our instagram handle: @neonmovies – I hope to see many of you there!
Wishing you all good health!
My best,
Jonathan

My Favorite Films of 2019

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Hello Dayton MostMetro!

When asked to write a “Best of ” list about movies, it’s hard to decide what to write.  First off, it’s so subjective…do people really want to read about my personal tastes or should I look at films scholastically and determine what is the “best” in regards to craft?  In addition, what should I include – only films that got picked up for distribution? only films that screened in this market?  only films that got a release this year?

Here’s what I’ve decided.  The following list is a collection of films that I saw and loved this year.  (Though some films didn’t play until 2019 in Dayton, movies like CAPERNAUM and IF BEALE STREET COULD TALK and THE FAVOURITE are not on the list because I saw them in 2018.)  And contrary to popular belief, not all the films on the list screened at THE NEON!

I should make it known that I have not seen every film that got a release this year…once in a while, a film even plays at THE NEON that I can’t fit into my schedule.  I tend to shy away from science fiction (though not always), most horror movies and films with gratuitous violence and/or machismo-driven male plot lines (a la Tarantino).  (I have not yet seen THE IRISHMAN – as I intend to see it on our big screen on NYE.)

Here they are. 15 Favorite Films of 2019 (in alphabetical order):

AMERICAN FACTORY – Julia Reichert & Steve Bognar’s masterful documentary is stunningly heartfelt and equally scary.  It’s a call to action from and regarding America’s workforce (which also happens to be filmed in our own backyard).  I’m so happy for Julia & Steve’s success with this film!

BELLE EPOQUE – This little French gem with Daniel Auteuil and Fanny Ardant has not yet found a distributor in the US, but its existential ETERNAL SUNSHINE vibe is so much fun…I hope it makes its way to the States soon.  Here’s a trailer:

THE BLONDE ONE – I love a good, slow-paced, foreign film that’s beautifully shot and fraught with honest sexual tension…especially when I can empathize on some level.  This film is a slow burn, and I love it.  (It played at The Dayton LGBT Film Festival.)

BOOKSMART – This generation’s CLUELESS is smart, fresh and so endearing…the best teen comedy in years!  I watched this film on a flight to Germany…and again on the flight back. Beanie is a treasure! (trailer is for mature audiences)

CIRCUS OF BOOKS – This endearing doc about a straight Jewish couple who ran one of the most famous gay adult bookstores in the US while raising three children is poignant, personal and a great history lesson.  (This film screened as part of The Dayton LGBT Film Festival – there is no trailer yet.)


THE FAREWELL – This runaway hit is billed as a comedy, but it’s so much more.

JOJO RABBIT – My feelings about this film ebb and flow…today it happened to make the list. The child performances are extraordinary, and the production design is flawless.  This film has a lot to say about how our children are often taught to hate – and how easy it is to spread misinformation.

THE LAST BLACK MAN IN SAN FRANCISCO – This poetic film isn’t getting much year-end discussion, but I absolutely loved it – from the performances to the score to the cinematography.

LITTLE WOMEN – Thoughtful and exquisite! I complain about movie runtimes a lot.  (I wish MARRIAGE STORY and WAVES were both 15-20 minutes shorter.)  But this film seemed rushed at times…I think it would be stronger with a slightly slower pace and perhaps a runtime of 20 minutes more. Regardless, this is a gorgeous film with a beautiful structure.

PAIN & GLORY – Almodovar’s best film in over a decade…and that’s quite a feat (JULIETA and THE SKIN I LIVE IN are also quite strong from the last several years). This quiet film is full of rich performances, inventive storytelling and fantastic production design.

PARASITE – Must be seen.  This film changes genres on a dime and has so much to say about class.  Full of surprises and beautiful to look at – even when dark and disturbing.

PORTRAIT OF A LADY ON FIRE – This film will get a release in early 2020, and it is sublime.  I can’t wait to see it again.

ROCKS – This film has not yet been picked up for distribution.  It’s a gorgeous and heartbreaking story about a young girl trying to take care of her younger brother and herself after her mother has disappeared (again). There is sadly no trailer for this – just a clip.

THE TWO POPES – This film isn’t just a chamber piece – though simple moments between these two brilliant actors are certainly worth studying.

UNSETTLED – Winner of this year’s Audience Award at The Dayton LGBT Film Festival, this story about LGBT refugees in America is touching, timely, thought-provoking and powerful.

Don’t get me wrong.  There are many more solid films from this year.  There are movies with standout performances (like HARRIET) or incredible cinematography (like HONEYLAND) or great messages (like BIGGEST LITTLE FARM) or fascinating central subjects (like SOUND OF MY VOICE or PAVAROTTI) – but it’s the “Top 15” that really spoke to me in their entirety.  That said, these other films are certainly worth mentioning (also in alphabetical order): A BEAUTIFUL DAY IN THE NEIGHBORHOOD, BOMBSHELL, CLEMENCY, DARK WATERS, GLORIA BELL, HONEY BOY, HOPE GAP, HOW TO BUILD A GIRL (here’s Beanie again!!),  THE KINGMAKER, MARRIAGE STORY (sometimes I want to switch this with JOJO RABBIT), STRAIGHT UP, VARDA BY AGNES, and WAVES.

For the sake of trivia, here are the top 3 highest grossing films of 2019 at THE NEON:

#1 – JOJO RABBIT.  #2 – DOWNTON ABBEY.  #3 – HARRIET.   (LITTLE WOMEN could possibly join the list, but it will be split between 2019 and 2020.)

Wishing everyone a happy and prosperous New Year.

See you at the movies,

Jonathan

Jonathan’s Weekly Neon Update

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It is award season, and every film on our horizon is a contender.  On Friday, we will open THE TWO POPES – a film I saw in Toronto and immediately knew I wanted to bring to all of you.  Just yesterday, nominations for The Golden Globes were announced, and THE TWO POPES garnered 4 nominations – including “Best Picture: Drama” as well as nods for both Jonathan Pryce and Anthony Hopkins.  I was not raised Catholic, yet I found this film to be intriguing, insightful and important (as well as full of warmth, hope and even with fun moments) – I hope you’ll support it.  Every film on our list is receiving recognition from critics and awards programs.  From LITTLE WOMEN and THE IRISHMAN to MARRIAGE STORY and GIVE ME LIBERTY (with its big local connection), we have the best line-up ever to wrap up 2019.  In addition to having TWO POPES, DARK WATERSwill stick around (audiences are loving it).  If you still need to see the phenomenal PARASITE or the crowd-pleasing JOJO RABBIT, Thursday will be your last chance.
Synopsis for THE TWO POPES: “The Catholic Church’s papacy is a singular institution, with unique demands placed on the men who would see themselves elevated to it. This decade saw one of the Church’s most important moments of transition, but news reports can fail in the face of such enormous, complex change. THE TWO POPES takes us beyond TV images of smoke rising from the Vatican chimney into the hearts, minds, and actions of those charged with leading over a billion faithful. Directed by Brazil’s Oscar-nominated Fernando Meirelles (CITY OF GOD) and starring two acting legends in Sir Anthony Hopkins and Jonathan Pryce, this insightful story ushers us behind gilded doors to watch the once and future Popes grapple with faith and religious leadership in a rapidly changing world.” (TIFF Catalog) Click the image below to watch the film’s trailer.

Thanks to everyone who came out to our DARK WATERS talk-back on Sunday evening.  It was by far our highest attended screening of the weekend!  Though an exact date and time has yet to be solidified (an announcement will be made within the next couple days), you can come back and learn more about GIVE ME LIBERTY from line-producer (and WSU grad) Karri O’Reilly.  This film has been nominated for 4 Independent Spirit Awards – and it’s a wonderful story with incredible performances from actors we’ll certainly be seeing again and again.

Dale Farmer is bringing his award-winning film to THE NEON on Thursday, January 16 at 7:30.  “Deeply infused with the traditional Appalachian musical genres of Old Time and Bluegrass, THE MOUNTAIN MINOR tells an overlooked story about the people and culture behind the resurgence of American Roots Music today and highlights artful responses to the difficult circumstances of human migration. In the 1920s-1950s, millions of Appalachians left their homes in the mountains and migrated to urban Midwestern centers in Ohio, Indiana, Illinois and Michigan. The Mountain Minor is the story of a life-worn Charlie Abner, a generation later, as he struggles with leaving his present life and family in Cincinnati, Ohio to return to the Kentucky Mountain home and musical heritage that once defined him. The story is partially told in flashbacks to depression era Eastern Kentucky, when Charlie’s parents, Oza and Vestal Abner, face the difficult decision to leave the way of life they know and move to Ohio for employment and better opportunities. This is not only film director Dale Farmer’s family story, but the story of thousands of families that left their mountain homes to move to the Dayton, Ohio area to become the heart of the working middle class. This film is unique in that all of its principal actors are traditional musicians-such as Smithsonian Folkways artist Elizabeth LaPrelle and acclaimed banjoist and fiddler Dan Gellert-and they perform all of the music in the film. Pre-film music by The Corn Drinkers will start at 7:30, and the movie will play at 8:00.  A Q&A will follow the film with the writer/director Dale Farmer and actors Ma Crow, Warren & Judy Waldron and Amy Cogan Clay.” (press notes) Tickets are $12 each and will go on sale Dec. 16.

We need your help!  Sponsored by The Dayton Holiday Festival, Mix 107.7 and THE NEON, The Family Holiday Film Series started last Saturday with THE WIZARD OF OZ…and we had a lot of empty seats.  Tickets are FREE for kids 12 and under, and we’ll screen A CHRISTMAS STORY this Saturday, Dec. 14 at Noon.  And next week, THE GRINCH (2018) will screen on Saturday, Dec. 21 at Noon.  Tickets are FREE for children 12 and under and only $2 for anyone over 12.  These tickets will become available at 11:15am on the day of each screening, and they are limited to one ticket per person (aka: everyone must be present in order to pick up tickets – we can’t hold or disperse tickets for people who are not at the theater – thank you for your understanding).  Everyone is welcome!  If you have friends, neighbors, grandkids, or grandmas who like good holiday fun, let ’em know!
Many of you have been asking about showtimes for December 25.  Interestingly, Sony has asked us to go ahead and create showtimes and put tickets on sale for LITTLE WOMEN tomorrow morning.  We’ll go ahead and set showtimes for THE IRISHMAN and MARRIAGE STORY too.  You can get advanced tickets via our website starting tomorrow at 9:00am – www.neonmovies.com.
We hope to see you often over the next few weeks. It’s going to be quite a season!

News from The Neon

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Neon Movies on Fifth Street

In the past few days, we’ve made some big decisions as to our plans for the next several weeks.  Some of our upcoming films have local connections, some are certain to be best picture contenders, and many are full of stars we love to see on screen.  One thing is clear about each – it’s Oscar season!

On Friday, we will open PAIN AND GLORY – the latest film from my favorite director of all time – Pedro Almodóvar.  Almost certain to garner a “Best International Feature Film” nomination, this one could go even further and possibly get a nod for Antonio Banderas and production design, too.  It’s truly gorgeous, and Penelope Cruz is luminous.  On our other screen, we will hold onto the stunning film from Bong Joon Ho – PARASITE – which is certain to be a big contender this year.   And just for the weekend, we will hold JOJO RABBIT for a few shows as well as bring back the much-loved HARRIET for a handful of screenings.  There is truly something for everyone this holiday weekend!
Synopsis for PAIN AND GLORY: Pedro Almodóvar’s latest film is his best in years.  Don’t miss this visually exciting (and part auto-biographical) story with stellar performances. “PAIN AND GLORY tells of a series of reencounters experienced by Salvador Mallo, a film director in his physical decline. Some of them in the flesh, others remembered: his childhood in the 60s, when he emigrated with his parents to a village in Valencia in search of prosperity, the first desire, his first adult love in the Madrid of the 80s, the pain of the breakup of that love while it was still alive and intense, writing as the only therapy to forget the unforgettable, the early discovery of cinema, and the void, the infinite void that creates the incapacity to keep on making films. PAIN AND GLORY talks about creation, about the difficulty of separating it from one’s own life and about the passions that give it meaning and hope. In recovering his past, Salvador finds the urgent need to recount it, and in that need he also finds his salvation.” (Sony Classics) Click the image below to visit the film’s official site.
Sponsored by The Dayton Holiday Festival, Mix 107.7 and THE NEON, The Family Holiday Film Series starts in less than 2 weeks.  THE WIZARD OF OZwill screen on Saturday, Dec. 7 at Noon, A CHRISTMAS STORY will screen on Saturday, Dec. 14 at Noon, and THE GRINCH (2018) will screen Saturday, Dec. 21 at Noon.  Tickets are FREE for children 12 and under and only $2 for anyone over 12.  These tickets will become available at 11:15am on the day of each screening, and they are limited to one ticket per person (aka: everyone must be present in order to pick up tickets – we can’t hold or disperse tickets for people who are not at the theater – thank you for your understanding).
Have you seen the nominations for the Independent Spirit Awards?  (This is the huge awards program that celebrates independent cinema.)  We’ve played so many of this year’s nominees – including Julia Reichert & Steve Bognar’s AMERICAN FACTORY and Chase Whiteside & Erick Stoll’s AMÉRICA!  Many congrats to these local connections (all with ties to Wright State University)!!  Also included in the nominees we’ve played are: LAST BLACK MAN IN SAN FRANCISCO, THE SOUVENIR, PARASITE, RETABLO (part of The Dayton LGBT Film Festival last year), WILD NIGHTS WITH EMILY (also part of The Dayton LGBT Film Festival last year), APOLLO 11, HONEYLAND, THE FAREWELL, JUDY & THE MUSTANG.  On December 20, we will open GIVE ME LIBERTY – which was just nominated for 4 of these awards.  This fantastic film was line-produced by Dayton’s own Karri O’Reilly!
In last week’s newsletter, I detailed a lot of the local connections associated with DARK WATERS…including my minor involvement.  It was truly special to be on a set where I was seeing so many old friends (and even a couple former students) making it all happen.  I’m currently working with Karri O’Reilly (who served as a production supervisor on the film) to assemble a small group of people for a talk-back to follow the screening on Sunday, Dec. 8 at 4:30.  DARK WATERS opens on Thursday, Dec. 5, and tickets for all of the opening weekend shows are now available on our website and in person at our box office.
Julia Reichert has been in the news a lot lately.  It was just announced that she will receive the “Women of Influence” honor from the YWCA, and the film she made with Steve Bognar – AMERICAN FACTORY – continues to be a major conversation piece in film communities, at world-renowned museums, on prestigious college campuses, and with policy-makers. It’s exciting that such an important film came from our backyard. Julia & Steve’s next film – 9 TO 5: THE STORY OF A MOVEMENT – will be part of our “Women of Influence In The Movies” series in March. I’ll have more details about this collaboration with The Human Race Theatre Company early next year.
We made some big decisions. The following is our current, anticipated slate for the next several weeks. Click any title to watch that film’s trailer.  On Dec 5, we open Todd Haynes’ new political thriller (set and shot in Cincinnati based on true events) – DARK WATERS (with lots of WSU and Dayton talent). On Dec 13 we open THE TWO POPES – a veritable acting masterclass with Anthony Hopkins and Jonathan Pryce. On Dec 20, we open GIVE ME LIBERTY – a film with local ties that just garnered 4 Independent Spirit Award nominations.  On Dec 25, we’ll open 3 films – Greta Gerwig’s exhilarating and gorgeous adaptation of LITTLE WOMEN as well as the much-anticipated film THE IRISHMAN (directed by Martin Scorsese and starring Robert De Niro, Al Pacino, Joe Pesci and many more) and MARRIAGE STORY (written and directed by Noah Baumbach and starring Scarlett Johansson and Adam Driver). On Jan 3, we’ll open A HIDDEN LIFE – Terrence Malick’s new masterpiece.

It’s going to be quite a season!
Many thanks for all of your continued support!
Wishing you a Happy Thanksgiving,
Jonathan

TIFF 2019 – Day #9

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Hello Everyone.

Today was my last full day of movies, and it was a strong selection.

HONEY BOY was my first film of the day – directed by Alma Har’el and written by Shia LaBeouf (did you see his performance in THE PEANUT BUTTER FALCON at THE NEON over the last few weeks?). “Actor and screenwriter Shia LaBeouf mines his own life in this confessional collaboration with director Alma Har’el, about the stormy childhood and early adult years of an actor struggling to reconcile with his abusive father (played by LaBeouf himself).” (taken from TIFF catalog)  This tough story of the “bad boy” actor coming to terms with his upbringing is at times hard to watch – but certainly worth the ride.  Performances across the board are strong – from the flashback scenes starring Noah Jupe (who is really fantastic) and LaBeouf to the more “current” scenes starring Lucas Hedges.

ROCKS – the title refers to the nickname of the main character – was up next. “British director Sarah Gavron (Brick Lane, Suffragette) returns with this intimate, honest portrait of a teenage girl who suddenly finds herself struggling to take care of herself and her younger brother.” (taken from TIFF catalog)  I love when a film that is only minorly on my radar ends up blowing me away.  I love this little gem.  So rarely do we get stories about young black girls – and this one is strong and runs the emotional gamut. It’s honest, fresh, frustrating, complicated (though simply told) and full of life – sometimes jubilant and often heartbreaking.  I hope this film gets a stateside release.

HOW TO BUILD A GIRL, my 31st film of the festival, was my last film of the day. “A working-class teenager (Beanie Feldstein) tries to reinvent herself as a hip London music critic, in this unconventional coming-of-age story based on British author Caitlin Moran’s semiautobiographical novel.” (taken from TIFF catalog)  I felt like this film didn’t go over as well with the audience while I was loving it.  There is a lot of really funny material – particularly in the first hour – that I felt others weren’t appreciating the way I did (you know that feeling when you’re the only one laughing).  The dialog is sharp, and Feldstein is brilliant.  But what starts as a charming and “innocent” film treads into adult territory as the main character is thrust into a grown-up atmosphere (which means the rating will keep the potential tween audience from seeing it theatrically).  Sadly, as the film progresses, it starts to go in a rather predictable direction. That said, I felt like the film repaired some of its missteps by the end, and ultimately I found it quite satisfying. I left the film a much bigger fan of Beanie Feldstein. There is no trailer for this film yet…but here’s a little interview piece.

I met up with a couple friends for a last hurrah in the city and then came back to begin packing my bags.  I have one more film early tomorrow morning, and then I’ll head to the airport.

Thanks for reading!

Jonathan

TIFF 2019 – Day #8

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Hello Most Metro,

Things are winding down at TIFF.  I’ve seen 28 films so far, and I have 1.25 days left.  Today seemed like a “minor” day.  Nothing extraordinary…but lots of tear to start off the day.

DADS,  a sweet documentary, was my first film of the day. “Director Bryce Dallas Howard teams up with her father, Ron Howard, to explore contemporary fatherhood through anecdotes and wisdom from famous funnymen such as Will Smith, Jimmy Fallon, Neil Patrick Harris, and more.” (taken from TIFF catalog) This little film has a fantastic opening sequence – it’s funny, poignant, inclusive, and provokes reflection and introspection and brought me to tears right off the bat. There’s a lot to love about this little film, but it does lose some steam in the third act.  (Am I getting old and tired, or do more and more films need recuts?) There is a lot of priceless material here, and the topic is valuable.

COMING HOME AGAIN was my next film. “A Korean American man cares for his ailing mother while trying to master her traditional cooking in the latest from Wayne Wang (The Joy Luck Club), based on Chang-rae Lee’s New Yorker short story.” (taken from TIFF catalog)  This film starts out in a languid manner – lots of lingering shots without much happening (except everything is happening).  A young man is caring for his mother who is dying of stomach Cancer, and the days stretch on with little happening – thus the pace. But eventually some old wounds start to surface, and some additional players enter the scene – and the performances are not of the same caliber.  In the last 25 minutes, I felt like the film went off its quiet rails and not at all in a good way.  I don’t see much box office life for this one.

LYREBIRD, my last film of the day, just got picked up by Sony Classics.   “In Dan Friedkin’s directorial debut, a soldier and member of the Dutch resistance (Claes Bang) investigates stolen art in the wake of the Second World War, including a Vermeer sold to the Nazis by a flamboyant painter (Guy Pearce).” (taken from TIFF catalog)  Based on a true story, this movie goes big (at least the score and some of the performances do) and the audience seemed to like it.  The mystery at the first act’s core was an easy solve, and the movie changes genres a couple times. Though there were aspects of the story I appreciated, my final response was more of a shoulder shrug.

Thanks for checking in.

Tomorrow is my last full day of movies, and then I need to pack my bags…I head home after one movie on Saturday morning.

Cheers,
Jonathan

TIFF 2019 – Day #7

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Hello Everyone.

I got to sleep in today because my first film started later than usual, and I was glad I got an extra hour in bed.  Here’s why:  Last night had me attending my first true parties of the festival.  First was a gathering with lots of LGBT industry folks – people in PR, critics, film buyers, distributors, programers, etc.  It was a nice event, and I saw a handful of people I’ve met before and was introduced to a handful more – these parties are a lot about networking, so I’m glad I went.  I was a little baffled that it was after 1:30 when I decided to leave, but upon arriving at my apartment, there was a party for A24 right across the street…and a friend had put my name on the list…so I had to check it out.  Though it was “winding down,” it was still a pretty terrific party.  I saw several people I knew (including some crossover from the earlier LGBT party), recognized numerous celebrities from films I’ve screened (WAVES, HARRIET, JOJO RABBIT, and more), and then I saw Jon Hamm.  (swoon) This party was super casual and people didn’t seem to have their guards up…what a fun way to wrap up a great day.

MY ZOE was my first film of Day #7. “A recently divorced mother is driven to extremes in this seventh film by writer-director-actor Julie Delpy — a suspense drama unlike anything she has done before.” (taken from TIFF catalog)  This film goes in a direction you’re not anticipating.  It’s a very straight-forward drama – well-acted, solid script, etc…and then you start to realize some new-fangled, sci-fi technology…but maybe it’s not so sci-fi.  This film will spur a lot of interesting dialog. (So many films at this year’s festival are about divorce and the strains they induce.)

THE KINGMAKER was my next film. “Acclaimed documentarian Lauren Greenfield (The Queen of Versailles) aims her lens at Filipino politician and former First Lady Imelda Marcos, who, despite disgrace, remains unbowed and enmeshed in her nation’s politics.” (taken from TIFF catalog)  Imelda Marcos is a great subject.  She’s funny, charming, charitable, and fumbles a bit.  She seems like the crazy, rich aunt you never knew you had….until the truth starts pouring out.  Greenfield set out to make a very different film, but the story you see unfolded before her, and she couldn’t stop filming.  What was supposed to take a year or so took five years to make, and you simply can’t believe it.  It’s political corruption like you’ve never seen…and the gullible public who seem to keep inviting it in.  This is a cautionary tale!  During the very interesting Q&A, Greenfield said that Imelda would answer every question she ever asked except one.  She wouldn’t answer “How do you feel about Donald Trump?”  I’m so glad my friend Charlie suggested I see this film.  He’s the person who suggested I see FREE SOLO and BIGGEST LITTLE FARM last year…and look what happened to those!

Imelda Marcos in KINGMAKER. Photo Credit: Lauren Greenfield.

Though HUSTLERS doesn’t initially seem like a film I’d be screening at TIFF, a critic friend told me that it’s much better than the trailer alludes…and that JLo could garner an Oscar nomination.  So, I found a way to squeeze it in…only to arrive and the venue and find out that the projector won’t start due to an AC issue.  This just goes to show that no venue is surefire – technical issues happen everywhere.  Thus I’ll have to wait and see HUSTLERS when it gets a theatrical release.  “Inspired by a 2015 New York Magazine article that went viral, Hustlers follows a savvy crew of former strippers who band together to turn the tables on their Wall Street clients. Starring Constance Wu, Jennifer Lopez, and Julia Stiles.” (taken from TIFF catalog)

LUCY IN THE SKY was my last film of the day. “After returning to earth, an obsessive astronaut (Natalie Portman) begins to question her place in the universe — including her relationships with her gentle husband (Dan Stevens) and her alluring crewmate (Jon Hamm) — in the debut feature from accomplished television showrunner Noah Hawley (Fargo, Legion).” (taken from TIFF catalog) During the first few minutes, I liked what I was seeing.  The sound design (and especially lack of sound) was great, the idea of someone returning from space and not knowing how to reintegrate was an interesting idea…but things got muddy pretty quickly.  Perhaps I wasn’t in the right mind frame, but at the end of the day, I think this film is a mess.  More and more directors are playing with aspect ratio these days (though never as well as Xavier Dolan or Wes Anderson), and though some scenes had motivation for a change in ratio, the director admitted that sometimes he just wanted to play.  And it shows – the shifts simply don’t make sense.  And there’s more that doesn’t make sense. At one moment, when Portman is purchasing items in a hardware department, she reaches over and grabs a wig…duct tape, hammer, box cutter, wig…makes no sense!  I realize this film is about a woman in the midst of an existential crisis, but I ultimately didn’t care about anyone. The accent is bad, the Dorothy Hamill haircut is bad, some of the green screen work is bad.  I rolled my eyes and shook my head numerous times during this film….and I’m ultimately sad that such a lackluster film has happened to such a great distributor.

Only 2+ more days.

Off to bed.

Thanks for reading,

Jonathan

 

TIFF 2019 – Day #6

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Hi Everyone!

I’m now well beyond the half-way mark, and today’s 4 screenings took my grand total to 22 films so far…this means I’ll certainly hit the 30+ mark for this year’s TIFF.

AERONAUTS was my first movie of the day. “The Theory of Everything costars Eddie Redmayne and Felicity Jones reunite for Tom Harper’s high-flying tale about a 19th-century scientist and hot-air balloonist making altitudinal and meteorological history.” (taken from TIFF catalog)  This thrilling adventure is a little too “easy,” but it is also rather fun.  That said, I can’t imagine watching it on a television screen at home – the thrills are best felt on a big screen with a great sound system.  Redmayne and Jones are charming as can be, and though the costumes are sometimes a little “too much,” I felt like there’s certainly an audience who will revel in this tale – and cheer for the bold and brave female character in the central role.

Though it’s getting a wide release that won’t include us at THE NEON, I had to go see THE GOLDFINCH – based on one of my favorite novels of the past several years. “Theo Decker (Ansel Elgort) was only 13 when his mother died in a museum bombing, sending him on an odyssey of grief and guilt, reinvention and redemption. Through it all, he holds on to one tangible piece of hope from that terrible day: a priceless painting of a bird chained to its perch, The Goldfinch. The latest from John Crowley (Brooklyn) is based on Donna Tartt’s bestselling novel.” (taken from TIFF catalog)  Though I felt like the film was off to a great start – making a lot of great decisions, this movie is one that actually needs more time.  We meet too many characters and never get to know them…which in turn makes the material lose its heart.  We never get too attached.  The source material is more intended for a mini-series than a 140 minute feature film, and I’m sad to say that I don’t think this film will go too far.

The new documentary THE CAPOTE TAPES was my third screening of the day. “Newly discovered interviews with friends of Truman Capote made by Paris Review co-founder George Plimpton invigorate this fascinating documentary on the author (and socialite) behind Breakfast at Tiffany’s and In Cold Blood, while situating Capote in the 20th-century American literary canon.” (taken from TIFF catalog)  There is so much to love about this film – because at its center is the brilliant, hysterical, and tormented Truman Capote.  The interviews are divine, but the piece starts to lose steam in the last 30 minutes.  Though there’s not much room in the “marketplace” for an hour-long documentary (too long for a short and too short for a feature), it would be a much stronger piece at 1 hour.  That said, there’s so much good material here…but unfortunately, the director had to use cutaways because evidently there aren’t enough photos to put on screen during the tape recorded interviews…so he resorts to tracking shots of dinner plates, silverware and crystal goblets – thus so many visuals are uninteresting and do nothing for the story.  Luckily, interviews are great – so I stuck with it…and feel I know Truman a bit better.

USA. New York City. 1966. Truman CAPOTE at his “Black and White Ball” at the Plaza Hotel.

The premiere of HARRIET, the very first feature film ever made about Harriet Tubman, was my last film of the night.  “Tony-winning Broadway actor Cynthia Erivo stars in Kasi Lemmons’ inspiring biopic about renowned abolitionist Harriet Tubman, who escaped slavery and risked her life to lead others to freedom through the network of safehouses known as the Underground Railroad.” (taken from TIFF catalog)  From seeing the trailer, I was a little fearful that this film was going to be too polished and not raw enough.  And though I think it could still use a little more indie grit, the story did indeed envelop me.  Kasi Lemmons explained that they decided not to use the often seen violent tropes of other slavery stories, they wanted to focus on this movie being about freedom.  Though we know some of what characters have suffered, we aren’t forced to watch it as with other recent films about slavery like 12 YEARS A SLAVE or BIRTH OF A NATION.  Instead, we get an adventure film with a true woman – a human being, not a super hero – who saves lives and should inform us all.  Though there were some devices that I thought wore a little thin, I still was completely invested in the story and loved learning more about this American Hero…and having many from the cast do a Q&A was incredibly insightful and all the more powerful.  This film really got the crowd going, and I think it will be well received in Dayton, too.

I’m getting this done a bit earlier than usual…and heading out to a party or two tonight.  My first screening isn’t until Noon tomorrow, so sleeping in is a possibility.

Thanks for checking in!

Jonathan

TIFF 2019 – Day #5

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Hello Most Metro!

Today was my fullest day so far.  I’m so glad I had an auxiliary battery for my phone.

MARRIAGE STORY was my first film of the day.  “Academy Award nominee Noah Baumbach’s incisive and compassionate portrait of a marriage breaking up, and a family staying together, stars Scarlett Johansson and Adam Driver, and co-stars Laura Dern, Alan Alda, and Ray Liotta.” (taken from TIFF catalog)  Within the first five minutes of this film, I wrote “It’s incredible” in my notes.  The script is fantastic, the performances are right on, and material is taxingly honest, and the supporting cast are lovely additions to the mix.  At one point, I felt like “this is getting to be too long” (a feeling I’ve had numerous times this year), but then I reconciled it by thinking “getting a divorce is tedious and insufferable – so maybe that’s the point…perhaps it suits the material to be a little too drawn out.  In a very clever marketing strategy, there are actually 2 trailers for MARRIAGE STORY…watch both in one sitting below.

After my first screening, I went to a delightful hour+ event in which Allison Janney was interviewed about her career – along with clips that illustrated some of her cinematic touchstones.  This was a pretty hot ticket, and Allison’s mother Macy was the person who scored the ticket for me.  In the coming days, I believe that TIFF will post this interview on-line, and I’ll make sure to share the link with you if I find it.  Allison is funny, smart, gracious and a great storyteller – it was a delight to hear some of her personal history.

After listening to Allison, I got to see her new film – BAD EDUCATION.  “Hugh Jackman, Allison Janney, and Ray Romano star in this fact-based dramedy directed by Cory Finley (Thoroughbreds), about an infamous school-larceny scandal that rocked Long Island in the early aughts.” (taken from TIFF catalog)  This film is pretty terrific (though I questioned some of the motivation for the queer content)!  The story’s upsetting subject matter is handled in such an interesting fashion and Jackman’s performance is unlike any I’ve seen him give before.  Janney is also in top form, and I think this film will get snatched up in no time.  Below is the image being used with this film…there is no trailer yet.

THE TRUTH – with two leading ladies I adore – was next on my list. “Acclaimed director Hirokazu Kore-eda’s (Shoplifters, Like Father, Like Son) first film made outside his native Japan stars Catherine Deneuve and Juliette Binoche as a mother and daughter in the film industry whose professional collaboration triggers long-buried resentments.” (taken from TIFF catalog)  My “review” of this film might be a little unfair because I was a bit tired when I walked into this screening.  The first half hour was pretty wonderful, but then my eyes got very heavy and I fought to stay awake.  Ultimately, I kept feeling like I wanted the pace to pick up – but maybe that was just my exhaustion speaking…or maybe it was a little too slow.  At the end of the day, I think it’s a nice film…but it won’t get the roll-out that SHOPLIFTERS did for this director.

TWO POPES was my last film of the day.  Fernando Meirelles and Jonathan Pryce and others from the team introduced the film, and Meirelles said that the reason he likes Pope Francis so much is because he wants to build bridges when so many leaders want to build walls.  Of course that deservedly got a huge round of applause. “In 2013, progressive incoming Pope Francis (Jonathan Pryce) and conservative outgoing Pope Benedict (Anthony Hopkins) debate the best path forward for the Catholic Church, in this surprisingly funny chamber piece from Oscar-nominated director Fernando Meirelles (City of God).” (taken from TIFF catalog)  That description kinda sums up the film…but not really.  It’s not just a chamber piece, it’s a pretty big, fully realized film with two incredible central performances.  I’m not a Catholic, thus I can never understand the ways of the church, but I’ve always felt like the regality surrounding the papacy seems to contradict some of the church’s messaging…and it appears that Pope Francis holds a similar sentiment.  This film made me appreciate him more. Through flashbacks and archival footage, we get a much bigger picture than just two Popes chatting.  Though the film loses a little steam in its third act, I think audiences will nonetheless adore it.  I hope Netflix does a theatrical release – more than just a couple cinemas. (I personally know many people who don’t subscribe to Netflix who would love to see this movie.)

It’s time to call it a night. Four more films are on the docket for tomorrow.

Thanks for checking in!

Jonathan