On Stage Dayton Reviews

‘Grease’ Review – Dayton Playhouse – Lukewarm Nostalgia

grease

Most people assume “Grease” is an easy show to do because the tuneful music fuels the story and the characters are instantly relatable. However, you have to rely on specific types to truly sell the cool factor inherent in the comedic material set in and around Rydell High School in the late 1950s.



‘Wicked’ Review – Victoria Theatre Association – Wonderful Witches of Oz

wicked

The production’s tremendous technical elements heighten the show’s appeal as usual, but this mounting, even stronger than its well-received 2010 engagement, uncovers new depths in the vital relationship between the green-skinned, misunderstood Elphaba and the beautiful, bubbly Galinda, the engaging duo that respectively becomes the Wicked Witch of the West and Glinda the Good Witch of the South.



‘Taking Shakespeare’ Review – Human Race Theatre Company – You Have To Be Carefully Taught

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Over the course of five strenuous, enlightening weeks (lighting designer John Rensel and sound designer Jay Brunner expertly mark the moody passage of time), Prof educates Murph on the Bard’s fascinating intricacies while also revealing truths behind the politics and professionalism of academia.



‘Sondheim on Sondheim’ Review – Wright State University – Let Him Entertain You

sondheim on sondheim

Case in point: Wright State University’s excellent regional premiere of the 2010 musical revue “Sondheim on Sondheim,” a fascinating, revelatory tribute to Grammy, Oscar, Tony and Pulitzer Prize-winning composer Stephen Joshua Sondheim, who celebrated his 85th birthday last month.



‘Songs for a New World’ Review – Sinclair Community College – Embracing the Moment

songs for a new world

This contemporary musical revue, expresses an array of emotions grounded in the expectancy, wonder, vulnerability, and discovery of a single moment. In fact, Brown has stated: “It’s about hitting the wall and having to make a choice, or take a stand, or turn around and go back.” The songs are not connected, which may puzzle or polarize those in search of a traditional plot or story structure.



Review Roundup – Friendships & Feuds

parallel lives

In the mood for sketch comedy, musical theater or classic drama? Here’s a rundown of a few offerings currently on local stages.



‘Nice Work If You Can Get It’ Review –Victoria Theatre Association – Giddy, Glorious Gershwin

Photo by Jeremy Daniel (www.JeremyDanielPhoto.com)

Nice Work” is a silly, summertime, Prohibition-era romantic farce that finds goofy criminals, sexy dames, handsome henchmen, and the haughty upper crust colliding on Long Island. As is standard fare for such zany stories, mistaken identity runs rampant nearly to the point of excess.



‘The Fantasticks’ Review –Dayton Playhouse – Love Is In the Air

fantasticks

Lyricist/librettist Tom Jones and composer Harvey Schmidt’s tender, intimate 1960 musical “The Fantasticks,” loosely based on Edmond Rostand’s 1894 play “Les Romanesques,” receives a visually engaging, strikingly designed presentation at the Dayton Playhouse. Matthew W. Smith spearheads his finest directorial achievement thus far by envisioning the material with nods to commedia dell’arte and vaudeville with particularly lovely sprinkles of whimsicality recalling Jones’ superb direction of the current off-Broadway production. Smith’s show-within-a-show concept is marvelously heightened by … [Read more...]



‘Fiddler on the Roof’ Review – Cedarville University – Prolonged Exodus

fiddler

Cedarville University is performing "Fiddler on the Roof" through February 8th. DMM's Russel Florence reviews the production.



‘Family Shots’ Review – Human Race Theatre Company – Matters of the Heart

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Inside a suburban New Jersey hospital, the Baker family has come undone. Crisis brings them together, but what will keep them together? Playwright Michael Slade provides clues with wonderfully relatable authenticity and astute, unresolved ambiguity in his new original play “Family Shots,” an excellent, touching comic drama superbly presented in its world premiere at the Loft Theatre courtesy of the Human Race Theatre Company.