The Dayton Theatre Guild’s 71st season opens with an outstanding local premiere of John Patrick Shanley’s 2014 Tony Award-nominated dramedy “Outside Mullingar,” a poignant look at romance between fortysomethings on a cattle and sheep farm in rural Ireland. Deftly directed by David Shough, “Outside Mullingar,” sharing an Irish kinship to the plays of Martin McDonagh in terms of intimate authenticity, carries itself as contemporary (it begins in 2008) although it has a wonderful throwback quality at its core as if it could have been written 40 years ago. Neighbors Anthony Reilly and … [Read more...]
On Stage Dayton Reviews
“The Book of Mormon” isn’t for the easily offended, but if you’re simply looking to be entertained to the hilt you cannot let your weekend pass by without seeing this one-of-a-kind, Broadway-caliber experience.
Dayton’s 2015-2016 theater season has been impressively ushered in by Epiphany Lutheran Church as evidenced in the Epiphany Players Drama Ministry’s delightfully touching and vibrant production of Disney’s “Tarzan,” the organization’s 25th anniversary presentation. Adapted by Tony Award-winning playwright David Henry Hwang (“M. Butterfly”) based on the 1999 Academy Award-winning film of the same name and the novel by Edgar Rice Burroughs, “Tarzan” reiterates the power of love and family in its engaging tale of a boy raised by apes in West Africa following the death of his parents who … [Read more...]
Friendship among witches, a delightful journey to Neverland, a Boston single mother awaiting opportunity, a modern family attempting connection at a New York hospital, an ogre in love, and African-American stories of faith and redemption were some of the key contributors to Dayton’s engaging 2014-15 theater season.
A marvelously soul-stirring production of Regina Taylor’s off-Broadway spiritual play-with-music “Crowns” concludes the Human Race Theatre Company’s 2014-15 season at the Loft Theatre. Adapted from the book of the same name by photographer Michael Cunningham and journalist Craig Marberry, “Crowns” is a fascinating, humorous, potent and celebratory portal into the African-American custom of church hats. Generations of African-American women, harkening to African tradition, have valued and taken pride in wearing their finest, most flamboyant hats to Sunday service, particularly … [Read more...]
The fanciful Peter Pan play-with-music prequel “Peter and the Starcatcher” adequately closes the Victoria Theatre Association’s 2014- 15 Premier Health Broadway Series at the Schuster Center. Sprightly adapted by Rick Elise based on the 2006 novel of the same name by Dave Barry and Ridley Pearson, this “Starcatcher” primarily presents a unique quandary, specifically for theatergoers expecting to see the national tour of its tremendous Broadway mounting, nominated for nine Tony Awards in 2012 ultimately winning five. When the “Starcatcher” tour folded last year, the Victoria searched for a … [Read more...]
Most people assume “Grease” is an easy show to do because the tuneful music fuels the story and the characters are instantly relatable. However, you have to rely on specific types to truly sell the cool factor inherent in the comedic material set in and around Rydell High School in the late 1950s.
The production’s tremendous technical elements heighten the show’s appeal as usual, but this mounting, even stronger than its well-received 2010 engagement, uncovers new depths in the vital relationship between the green-skinned, misunderstood Elphaba and the beautiful, bubbly Galinda, the engaging duo that respectively becomes the Wicked Witch of the West and Glinda the Good Witch of the South.
Over the course of five strenuous, enlightening weeks (lighting designer John Rensel and sound designer Jay Brunner expertly mark the moody passage of time), Prof educates Murph on the Bard’s fascinating intricacies while also revealing truths behind the politics and professionalism of academia.
Case in point: Wright State University’s excellent regional premiere of the 2010 musical revue “Sondheim on Sondheim,” a fascinating, revelatory tribute to Grammy, Oscar, Tony and Pulitzer Prize-winning composer Stephen Joshua Sondheim, who celebrated his 85th birthday last month.