Oscars

YOUNG KARL MARX, THE INSULT and OSCARS Galore at THE NEON!

February 28, 2018 By Jonathan McNeal

Hello Everyone!

This has been an incredibly strong Oscar Season at THE NEON. We brought you THE FLORIDA PROJECT, FACES PLACES, LADY BIRD and THREE BILLBOARDS OUTSIDE EBBING, MISSOURI before the holidays. Then we brought THE SHAPE OF WATER, DARKEST HOUR, CALL ME BY YOUR NAME, PHANTOM THREAD, I, TONYA and all the OSCAR NOMINATED SHORTS. It’s been one nominee to next…and Sunday will give us the winners!

We’re squeezing in two films that we initially didn’t think we’d have room to program. On Friday, we’ll open THE INSULT (a brilliant courtroom drama that’s nominated for “Best Foreign Film” at the Academy Awards) and THE YOUNG KARL MARX (for which A.O. Scott of The New York Times just wrote a glowing review). Audiences loved FILM STARS DON’T DIE IN LIVERPOOL, so we’ll hold it for limited screenings along with I, TONYA for one more week. If you still need to see the ANIMATED or LIVE ACTION OSCAR NOMINATED SHORTS, Thursday will be your last chance to catch them at THE NEON! And don’t forget about our FREE OSCAR PARTY this Sunday (more details below).

Synopsis for THE INSULT: Nominated for “Best Foreign Film” at this year’s Academy Awards! “In today’s Beirut, an insult blown out of proportion finds Tony (Adel Karam), a Lebanese Christian, and Yasser (Kamel El Basha), a Palestinian refugee in court.” A.O. Scott of THE NEW YORK TIMES wrote, “There is something undeniably exhilarating about the film’s honest assessment of the never-ending conflict between decency and cruelty that rages in every nation, neighborhood and heart.” Click THIS LINK to visit the film’s official site.

Synopsis for THE YOUNG KARL MARX: “In the mid-1800s, after decades ofthe scientific and economic marchof the Industrial Revolution has created an age of both new prosperity and new problems, a 26-year-old writer, researcher andradical namedKarl Marx embarks,with his wife Jenny,on the road to exile. In Paris in 1844 they meet young Friedrich Engels, the well-to-do son of a factory owner whose studies and research has exposed the poor wages and worse conditions of the new English working class who operate looms, printing presses and other engines of industry that enrich their owners while punishing laborers. The smooth and sophisticated – but equally revolutionary and radical – Engels brings his research, help and resources to provide Marx with the missing piece to the puzzle that composes his new vision of the world.” A.O. Scott of The New York Times wrote that the film is, “Both intellectually serious and engagingly free-spirited.”

It’s Almost OSCAR Time! This Sunday, you’re invited to THE NEON’s Annual Oscar Viewing Party! The pre-show begins at 7pm, and we will begin seating as close to 7pm as possible. (The actual Oscar ceremony traditionally begins at 8:30.) Completed ballots (which are now available in our lobby) must be turned in before the first Oscar is given. YOU MUST BE PRESENT TO BE ELIGIBLE FOR PRIZES. You can reserve a spot and your place in line by dropping off your ballot when we open our doors on Sunday, March 4. One Ballot/Reservation Per Person! We’ll have fantastic prizes all night long, and our grand prize will once again be donated by our friends at Square One Salon & Spa with additional prizes from Always Ballroom and James Apesos M.D.

SAVE THE DATE! On March 22, Cliff Fawcett is bringing back the wildly successful PADDLING FILM FESTIVAL (formerly known as THE REEL PADDLING FILM FESTIVAL). This festival of short films that all take place on waterways around the world has garnered quite a following. More details soon!

Thank you for your continued support!
We hope to see you this weekend,
Jonathan

SHOWTIMES for Tuesday, Feb. 27 – Thursday, March 8:

I, TONYA (R) 2 Hrs
Tuesday-Thursday (Feb 27-Mar 1): 5:10
Friday & Saturday (Mar 2 & 3): 11:50, 4:50, 9:40
Sunday (Mar 4):11:50, 4:50
Monday-Thursday (Mar 5-8): 5:10

OSCAR NOMINATED SHORTS: ANIMATION (NR) 1 Hr 23 Min
Tuesday (Feb 27): 3:15, 7:30
Wednesday & Thursday (Feb 28 & Mar 1): 5:20
FINAL DAY – March 1

OSCAR NOMINATED SHORTS: LIVE ACTION (NR) 1 Hr 39 Min
Tuesday (Feb 27): 5:15
Wednesday & Thursday (Feb 28 & Mar 1): 3:15, 7:30
FINAL DAY – March 1

FILM STARS DON’T DIE IN LIVERPOOL (R) 1 Hr 45 Min
Tuesday-Thursday (Feb 27-Mar 1): 3:00, 7:40
Friday & Saturday (Mar 2 & 3): 2:30, 7:20
Sunday (Mar 4): 2:30
Monday-Thursday (Mar 5-8): 3:00, 7:40

THE YOUNG KARL MARX (NR) 1 Hr 58 Min
Friday & Saturday (Mar 2 & 3): 2:10, 7:20, 9:50
Sunday (Mar 4): 2:10, 7:20
Monday-Thursday (Mar 5-8): 2:50, 7:50

THE INSULT (NR) 1 Hr 53 Min
Friday, Saturday, Sunday (Mar 2-4): 11:40, 4:50
Monday-Thursday (Mar 5-8): 5:20

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)
March 9 – THE PARTY
March 16 – A FANTASTIC WOMAN
April 6 – ISLE OF DOGS
April 6 – LOVELESS
April 20 – FOXTROT
April 27 – YOU WERE NEVER REALLY HERE
May 18 – RBG
TBD – THE DEATH OF STALIN
TBD – LEISURE SEEKER

Brilliant FACES PLACES Among Jonathan’s Favorites Coming to THE NEON!

December 13, 2017 By Jonathan McNeal

Hello Everyone!

We have had a terrific year with many big successes. Our two current attractions are garnering a lot of raves from critics and audiences alike, and I still hear people talking about other films from earlier this year like MAUDIE, THE BIG SICK, FLORIDA PROJECT, THEIR FINEST, I AM NOT YOUR NEGRO, and LOVING VINCENT (we still intent to bring this film back for a handful of shows when we can squeeze them in). Thus it might be hard to believe that the best films of the year are still on their way to THE NEON. Among them is a little gem called FACES PLACES. If you’ve been here in the past month, you’ve seen the trailer for this enchanting and uplifting documentary. It will open this Friday and play for just one week! Don’t miss it! On Thursday of next week, we will have preview screenings of THE SHAPE OF WATER (one of the absolute best films of the year – and certain to be a “Best Picture” contender) and DARKEST HOUR (almost certain to win an Oscar for Gary Oldman).

Many folks have been asking lately for my favorites of the year. 4 films immediately come to mind. Films that stood out that I can’t stop thinking about…and can’t wait to see again. FACES PLACES is one of them. The other three haven’t yet played anywhere around us but will soon be on their way – THE SHAPE OF WATER, CALL ME BY YOUR NAME and A FANTASTIC WOMAN. I’ll be sure to keep you in the loop.

Synopsis for FACES, PLACES: “89-year old Agnes Varda, one of the leading figures of the French New Wave, and acclaimed 33 year-old French photographer and muralist JR teamed up to co-direct this enchanting documentary/road movie. Kindred spirits, Varda and JR share a lifelong passion for images and how they are created, displayed and shared. Together they travel around the villages of France in JR’s photo truck meeting locals, learning their stories and producing epic-size portraits of them. The photos are prominently displayed on houses, barns, storefronts and trains revealing the humanity in their subjects, and themselves. FACES PLACES documents these heart-warming encounters as well as the unlikely, tender friendship they formed along the way.” Click this LINK to visit the film’s official site.

If you need gift-giving ideas for the film lover in your life, we’ve got you covered. NEON gift certificates are available at our box office in denominations of $5 and $10. We also just got in a new batch of NEON t-shirts with our slogan “Good To The Last Frame” on the back. Hurry in and get ’em while you can!

We also are helping The Rubi Girls by selling their annual wall calendar. The Rubi Girls are a charity-driven comedic drag troupe in town, and 100% of all calendar sales will go back to The Rubi Girls and the causes they champion. Calendars are $15 each or 2 for $20.

Our FAMILY HOLIDAY FILM SERIES has just one film left. Admission is free for children 12 and under, and general admission is just $2. This Saturday, December 16 at Noon, we’ll wrap up the series with HOME ALONE – can you believe this comedy classic starring Macaulay Culkin is already 27 years old?!? Tickets are first come, first serve – available 45 minutes before the screening.

Mark your calendars and please help spread the word. CHAVELA, a beautiful, award-winning documentary about Mexican singer Chavela Vargas, will have two special screenings in late January. On Saturday and Sunday, January 27 & 28 at Noon, director Daresha Kyi (who grew up in Dayton and graduated from The Miami Valley School) will present her documentary and participate in a Q&A. Ticketing details will be available soon. To learn more about the film, please click this LINK to visit the film’s official site.

Thanks so much for your continued support.
We hope to see you soon,
Jonathan

SHOWTIMES for Tuesday, Dec. 12 – Thursday, Dec. 21:

LADY BIRD (R) 1 Hr 33 Min
Tuesday-Thursday (Dec 12-14): 3:00, 5:10, 7:20
Friday (Dec 15): 12:50, 3:00, 5:10, 7:20, 9:30
Saturday (Dec 16): 3:00, 5:10, 7:20, 9:30
Sunday (Dec 17): 12:50, 3:00, 5:10, 7:20
Monday-Wednesday (Dec 18-20): 3:00, 5:10, 7:20
Thursday (Dec 21): 3:00, 5:10
FINAL DAY – Dec. 21!

THREE BILLBOARDS OUTSIDE… (R) 1 Hr 55 Min
Tuesday-Thursday (Dec 12-14): 2:50, 5:15, 7:40
Friday & Saturday (Dec 15 & 16): 12:20, 5:00, 7:30, 9:55
Sunday (Dec 17): 2:20, 5:00, 7:30
Monday-Wednesday (Dec 18-20): 5:00, 7:30
Thursday (Dec 21): 5:00
FINAL DAY – Dec. 21!

FACES, PLACES (PG) 1 Hr 29 Min
Friday-Thursday (Dec 15-21): 3:00
Final Day – Dec. 21!

THE SHAPE OF WATER (R) 1 Hr 59 Min
Thursday (Dec 21): 7:30 – Preview Screening!

DARKEST HOUR (PG-13) 2 Hrs 5 Min
Thursday (Dec 21): 7:40 – Preview Screening!

HOME ALONE (PG) 1 Hr 43 Min
Saturday (Dec 16): Noon

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)
Dec. 21 – SHAPE OF WATER
Dec. 21 – DARKEST HOUR
TBD Possibilities – NOVITIATE, CALL ME BY YOUR NAME, PHANTOM THREAD,
FILM STARS DON’T DIE IN LIVERPOOL, A FANTASTIC WOMAN,

and the return of LOVING VINCENT

Kristen Stewart’s Thriller & Oscar Nom Coming to THE NEON This Weekend

April 12, 2017 By Jonathan McNeal

Hello Everyone!

Once again, we’re moving right along at THE NEON this weekend. If you still need to see Shirley MacLaine in THE LAST WORD or Woody Harrelson in WILSON, Thursday will be your last chance to catch these films at THE NEON. The gorgeous & masterful film FRANTZ (by one of my favorite directors) will stick around for one more week, and we’ll add two new films to the mix. PERSONAL SHOPPER, the new film by Olivier Assayas starring Kristen Stewart, will open Friday for one week. We’ll also open a film that was nominated for “Best Foreign Film” at this year’s Academy Awards – LAND OF MINE – for just three days beginning this Friday. For more details about our current films, please visit www.neonmovies.com

Synopsis for PERSONAL SHOPPER: “Olivier Assayas, the internationally-acclaimed director of CLOUDS OF SILS MARIA and SUMMER HOURS, returns with this ethereal and mysterious ghost story starring Kristen Stewart as a high-fashion personal shopper to the stars who is also a spiritual medium. Grieving the recent death of her twin brother, she haunts his Paris home, determined to make contact with him.” (IFC Films) Richard Roeper of CHICAGO-SUN TIMES wrote, “I can’t explain everything I saw in this film, but I was entertained and enthralled by every second of it.” This film is only scheduled to play for one week!

Synopsis for LAND OF MINE: Nominated for “Best Foreign Film” at this year’s Academy Awards, this powerful film is only scheduled to play for three days this weekend. “As World War Two comes to an end, a group of German POWs, boys rather than men, are captured by the Danish army and forced to engage in a deadly task – to defuse and clear land mines from the Danish coastline. With little or no training, the boys soon discover that the war is far from over. Inspired by real events, LAND OF MINE exposes the untold story of one tragic moment in post-war history.” (Sony Classics) Click HERE to visit the film’s official site.

Vu-Do Swing is now set to bring ALIVE AND KICKING to town on April 26 at 7:30. “ALIVE AND KICKING is a feature-length documentary that takes an inside look into the culture of swing dancing and the characters who make it special. We explore the culture surrounding Swing dance from the emergence of the Lindy Hop to the modern day international phenomenon. The film follows the growth of Swing dance from its purely American roots as an art form, to countries all over the world. Alive and Kicking looks at the lives of the Swing dancers themselves to find their personal stories and why this dance fills them with joy.” Click this LINK to watch a trailer and reserve your ticket.

The 2017 DAYTON JEWISH FILM FESTIVAL has announced their line-up, and it’s terrific. To read all about the numerous films, to watch trailers, to see the schedule of screenings and to purchase advance tickets, please visit the festival’s official website by clicking this LINK. The following list only reflects films that will be screening at THE NEON:
Apr 27 at 7:15pm – ON THE MAP
May 1 at 7:15pm – IN SEARCH OF ISRAELI CUISINE
May 4 at 7:15pm – THE KIND WORDS
May 9 at 7:15pm – KEEP QUIET
May 11 at 7:15pm – SABENA HIJACKING
May 15 at 7:15pm – PERSONA NON GRATA
May 16 at 10am – THE PEOPLE VS. FRITZ BAUER
May 18 at 7:15pm – WOMEN’S BALCONY

On Friday, April 21, we plan to clear the decks and bring two new films to town…and we’ve decided to start them both a little early. COLOSSAL (starring Anne Hathaway) and LOST CITY OF Z (based on the beloved non-fiction book and starring Tom Holland & Robert Pattinson) will both have preview screenings on Thursday, April 20.

Thanks so much for your continued support.
See you soon,
Jonathan

SHOWTIMES for Tuesday, April 11 – Thursday, April 20:

THE LAST WORD (R) 1 Hr 48 Min
Wednesday-Thursday (Apr 12-13): 5:10
FINAL DAY – Apr 13!

WILSON (R) 1 Hr 34 Min
Wednesday-Thursday (Apr 12-13): 3:10, 7:30
FINAL DAY – Apr 13!

FRANTZ (PG-13) 1 Hr 53 Min
Wednesday-Thursday (Apr 12-13): 2:45, 5:15, 7:40
Friday & Saturday (Apr 14 & 15): 3:00, 7:30, 9:45
Sunday (Apr 16): 3:00, 7:30
Monday – Wednesday (Apr 17-19): 2:50, 5:10, 7:30
Thursday (Apr 20): 2:50, 5:10

PERSONAL SHOPPER (R) 1 Hr 45 Min
Friday & Saturday (Apr 14 & 15): 12:15, 2:30, 4:50, 7:15, 9:30
Sunday (Apr 16): 12:15, 2:30, 4:50, 7:15
Monday – Wednesday (Apr 17-19): 3:00, 5:20, 7:40
Thursday (Apr 20): 3:00, 5:20

LAND OF MINE (R) 1 Hr 40 Min
Friday, Saturday, Sunday (Apr 14-16): 12:45, 5:20

THE LOST CITY OF Z (PG-13) 2 Hrs 21 Min
Preview Screening – Thursday (Apr 20): 7:30

COLOSSAL (R) 1 Hr 50 Min
Preview Screening – Thursday (Apr 20): 7:40

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear)
April 21 – COLOSSAL
April 21 – LOST CITY OF Z
May 5 – THEIR FINEST
May 26 – THE LOVERS
TBD – CEZANNE ET MOI
TBD – MAUDIE
TBD – NORMAN

And The Oscar Goes To…

February 25, 2017 By Russell Florence, Jr.

After last year’s OscarsSoWhite controversy condemned the Academy of Motion Picture Arts and Sciences, diversity refreshingly steps into the spotlight as the 89th annual Academy Awards honors the best cinema of 2016 Sunday, Feb. 26 at the Dolby Theatre in Los Angeles.
Seven actors and one director of color will compete in the major categories representing a banner year for filmmaking. In an attempt to clean up old voting habits, 683 new members were added to the over 6,000 total membership including production designer Hannah Beachler, a Wright State University alumna. In fact, 46 percent of new members were female while 41 percent represented people of color. More progress should be made (the membership is still 89 percent white and 73 percent male), but the initial effects were noticeable in the nominations and could have greater impact when envelopes are opened.
As always, anything is possible on Oscar night, specifically in terms of the amount of politically-charged acceptance speeches and the suspenseful announcement of best picture. Here are my predictions in the top six categories.
BEST PICTURE
Arrival
Fences
Hacksaw Ridge
Hell or High Water
Hidden Figures
La La Land
Lion
Manchester by the Sea
Moonlight

Overlooked: 13th; 20th Century Women; American Honey; Arrival; Best Worst Thing That Ever Could Have Happened; The Birth of a Nation; Equity; Free State of Jones; Indignation; Jackie; Krisha; The Light Between Oceans; The Lobster; Loving; O.J. Made in America; Miles Ahead; Race; Remember?; Silence; Sing Street

Will Win: La La Land
Should Win: Moonlight

By and large, the Academy got it right. Nine wonderful films have been recognized and deservedly so. Will Hollywood rally to embrace lighthearted escapism (La La Land), the trials and tribulations of the African-American experience (Fences, Hidden Figures, Moonlight), touching stories of redemption and reunion (Lion, Manchester by the Sea), sci-fi contemplativeness (Arrival), or gripping accounts of battle in war (Hacksaw Ridge) and out West (Hell or High Water)? La La Land, a musical love letter to Los Angeles, seems unstoppable thanks to its imaginative originality and colorful fantasy, but if this category is about which film makes the strongest statement for our times, the coming-of-age Moonlight is a daring achievement for African-American cinema that will be studied for decades. Still, watch out for uplifting and inspiring crowd-pleaser Hidden Figures, the highest-grossing nominee raking in $142 million and counting. An upset is within reason.

BEST DIRECTOR
Damien Chazelle, La La Land
Mel Gibson, Hacksaw Ridge
Barry Jenkins, Moonlight
Kenneth Lonergan, Manchester by the Sea
Denis Villeneuve, Arrival

Overlooked: Andrea Arnold, American Honey; John Carney, Sing Street; Don Cheadle, Miles Ahead; Derek Cianfrance, The Light Between Oceans;; Yorgos Lanthimos, The Lobster; Pablo Larrain, Jackie; Ang Lee, Billy Lynn’s Long Halftime Walk; David Mackenzie, Hell or High Water; Theodore Melfi, Hidden Figures; Meera Menon, Equity; Mike Mills, 20th Century Women; Jeff Nichols, Loving; Nate Parker, The Birth of a Nation; James Schamus, Indignation; Martin Scorcese, Silence; Trey Edward Shults, Krisha; Denzel Washington, Fences

Will Win: Chazelle
Should Win: Jenkins

Chazelle’s particularly skillful homages to bygone Hollywood musicals are of a mature pedigree far beyond his years, but the beautiful subtlety and gripping intimacy Jenkins established took realistic storytelling to captivating heights.

BEST ACTOR
Casey Affleck, Manchester by the Sea
Andrew Garfield, Hacksaw Ridge
Ryan Gosling, La La Land
Viggo Mortensen, Captain America
Denzel Washington, Fences

Overlooked: Joe Alwyn, Billy Lynn’s Long Halftime Walk; Don Cheadle, Miles Ahead; Joel Edgerton, Loving; Colin Farrell, The Lobster; Michael Fassbender, The Light Between Oceans; Ralph Fiennes, A Bigger Splash; Ben Foster, Hell or High Water; Andrew Garfield, Silence; Joseph Gordon-Levitt, Snowden; Tom Hanks, Sully; Alex Hibbert, Moonlight; Tom Hiddleston, I Saw the Light; Stephan James, Race; Logan Lerman, Indignation; Matthew McConaughey, Free State of Jones; Nate Parker, The Birth of a Nation; Chris Pine, Hell or High Water; Christopher Plummer, Remember?; Trevante Rhodes, Moonlight; Ashton Sanders, Moonlight; Ferdia Walsh-Peelo, Sing Street

Will Win/Should Win: Washington

Last fall, it seemed the splendidly understated Affleck was the clear favorite, but Washington’s dynamic finesse as the scorned and disillusioned Troy Maxson (coupled with the fact that he directed himself) grew too powerful to ignore in the homestretch. Affleck could still prevail, but Washington, in top form, simply delivered one of his most tremendous, roof-raising portrayals, placing him in good standing to become the first African-American actor to win three Oscars and the sixth actor overall to receive three Oscars (joining an illustrious group consisting of Ingrid Bergman, Walter Brennan, Daniel Day-Lewis, Jack Nicholson, and Meryl Streep).

BEST ACTRESS
Isabelle Huppert, Elle
Ruth Negga, Loving
Natalie Portman, Jackie
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins

Overlooked: Amy Adams, Arrival; Kate Beckinsale, Love & Friendship; Annette Bening, 20th Century Women; Emily Blunt, The Girl on the Train; Jessica Chastain, Miss Sloane; Krisha Fairchild, Krisha; Sally Field, Hello, My Name is Doris; Anna Gunn, Equity; Rebecca Hall, Christine; Taraji P. Henson, Hidden Figures; Sasha Lane, American Honey; Susan Sarandon, The Meddler; Tilda Swinton, A Bigger Splash; Alicia Vikander, The Light Between Oceans; Rachel Weisz, Denial

Will Win: Stone
Should Win: Huppert

All signs point to Stone, the darling of the awards season, for solidifying her triple threat status as aspiring actress Mia, but don’t discount French powerhouse Huppert for her compelling yet tremendously cool portrayal of a video game executive provocatively flirting with danger and desire. After all, the foreign voting block cannot be brushed aside considering British theater veteran Mark Rylance’s upset win last year for best supporting actor in Bridge of Spies against Creed favorite Sylvester Stallone. The sheer breadth of Huppert’s mesmerizing work would be a cinch in a less competitive year, but the immensely likeable Stone, so luminous and heartbreaking, will ride La La Land’s palpable momentum.

BEST SUPPORTING ACTOR
Mahershala Ali, Moonlight
Jeff Bridges, Hell or High Water
Lucas Hedges, Manchester by the Sea
Dev Patel, Lion
Michael Shannon, Nocturnal Animals

Overlooked: Jovan Adepo, Fences; Kevin Costner, Hidden Figures; Garrett Hedlund, Billy Lynn’s Long Halftime Walk; Stephen McKinley Henderson, Fences; Andre Holland, Moonlight; Russell Hornsby, Fences; Jeremy Irons, Race; Richard Jenkins, The Hollars; Jharrel Jerome, Moonlight; Nick Kroll, Loving; Yosuke Kubozuka, Silence; Shia LaBeouf, American Honey; Tracy Letts, Indignation; Mark McKenna, Sing Street; Jack Reynor, Sing Street; Timothy Spall, Denial; Patrick Stewart, Green Room; Aaron Taylor-Johnson, Nocturnal Animals; Ben Whishaw, The Lobster; Mykelti Williamson, Fences

Will Win/Should Win: Ali

A truly excellent group. It’s particularly great to see Patel included having missed the cut here for 2008’s Slumdog Millionaire. Bridges, Patel and newcomer Hedges are major threats, but this category belongs to Ali, whose poignant and soulful portrayal of Juan, a drug dealer-turned-unexpected father figure, fuels Moonlight’s pensive magic.

BEST SUPPORTING ACTRESS
Viola Davis, Fences
Naomie Harris, Moonlight
Nicole Kidman, Lion
Octavia Spencer, Hidden Figures
Michelle Williams, Manchester by the Sea

Overlooked: Lucy Boynton, Sing Street; Linda Emond, Indignation; Tyne Daly, Hello, My Name is Doris; Elle Fanning, 20th Century Women; Greta Gerwig, 20th Century Women; Riley Keough, American Honey; Aja Naomi King, The Birth of a Nation; Margo Martindale, The Hollars; Gugu Mbatha-Raw, Free State of Jones and Miss Sloane; Janelle Monae, Hidden Figures; Alysia Reiner, Equity; Kristen Stewart, Billy Lynn’s Long Halftime Walk; Sarah Megan Thomas, Equity; Rachel Weisz, The Light Between Oceans and The Lobster

Will Win/Should Win: Davis

Let’s face it. Davis’ Oscar was probably engraved sometime last month. It’s still shocking she didn’t win for 2011’s The Help. Barring an upset, expect Davis to receive a lengthy standing ovation for her absolutely riveting portrayal of housewife Rose Maxon. Her acceptance speech could be the highlight of the evening. Keep your tissues handy.

The 89th annual Academy Awards, hosted by Jimmy Kimmel, will be telecast live Sun. Feb. 26 on ABC at 8:30 p.m.

2 New Films, 2 “Best Actresses” at THE NEON

January 31, 2017 By Jonathan McNeal

Hello Dayton Most Metro!

We’re moving along in a big way this weekend. If you still need to see LA LA LAND – now the highest grossing film in THE NEON’s history – Thursday will be your last chance to catch it with us. If you still need to see 20TH CENTURY WOMEN, Sunday will be your last chance to catch this gem at THE NEON. On Friday, we will open two very different films that have something in common. JACKIE and ELLE both have lead performances that have been nominated for “Best Actress” at this year’s Academy Awards. Natalie Portman gives an incredible performance as Jackie Kennedy – one that has garnered her numerous awards this season. Isabelle Huppert, one of my favorite actresses, has never been nominated for an Oscar before (which is hard to believe given her stunning body of work) – but she just won “Best Actress” and ELLE also took home “Best Foreign Film” at this year’s Golden Globes.

Showtimes and additional information can be found on our website – www.neonmovies.com …but you can check out the trailers here:

In the coming weeks, we have numerous special events – from one time only screenings to our upcoming Oscar Party. Stay tuned to our website for the latest.

See ya at the movies,

Jonathan

Numerous Oscar Nominations for Films at THE NEON

January 24, 2017 By Jonathan McNeal

Hello Most Metro!

We were all set to move forward with JACKIE this weekend, but the execs at Lionsgate (the distributor for LA LA LAND) were insistent that we hold their hit for another week…and with good reasons. 1) LA LA LAND is still performing well. 2) LA LA LAND just scored the highest number of Oscar nominations ever received – 14 in all (tying with ALL ABOUT EVE and TITANIC). 3) In just under 4 weeks, LA LA LAND has become our #2 “Highest Grossing Film Ever” at THE NEON. Over the course of this upcoming weekend, it will likely move into the #1 spot! All that said, we will hold both LA LA LAND and 20TH CENTURY WOMEN for another week. I know that many of you are anxious to see Natalie Portman’s Oscar-nominated performance, but we promise that JACKIE will open on Feb. 3.

Speaking of Oscars, NEON titles performed very well this year. Past/current films that received nominations are: MOONLIGHT, MANCHESTER BY THE SEA, LOVING, NOCTURNAL ANIMALS, A MAN CALLED OVE, THE LOBSTER, 20TH CENTURY WOMEN, LA LA LAND, and LIFE, ANIMATED. Nominees that are still on their way to us include JACKIE, ELLE, THE RED TURTLE, I AM NOT YOUR NEGRO, TONI ERDMANN, and all of the OSCAR NOMINATED SHORTS (and possibly more). Of all the nominations, a couple “snubs” stood out to me. Annette Bening is absent from the list for 20TH CENTURY WOMEN. The film was recognized for “Best Screenplay,” but her role deserved recognition. Secondly, I was disappointed to not see EAGLE HUNTRESS among the nominations. Though “Best Documentary” is full of heavy hitters, I think this stunning but subtle, quiet film speaks to many issues and deserved more recognition.

For showtimes and descriptions of numerous special events at THE NEON, visit our official site: www.neonmovies.com

We hope to see you soon!

Jonathan

LA LA LAND is Huge Hit at THE NEON!

January 6, 2017 By Jonathan McNeal

Hello MostMetro,

We’re very excited at THE NEON. In less than two weeks, LA LA LAND has become our #5 highest grossing film of all time. To put that in perspective, every other film in our Top 10 played at THE NEON for at least six weeks…so LA LA LAND has performed exceptionally well. Many thanks to everyone who has helped to make the end of 2016 and the beginning of 2017 such a success.

This weekend, we are holding both LA LA LAND and MANCHESTER BY THE SEA – both of which are certain to be “Best Picture” contenders during this year’s Oscar Race.

To read about everything that’s happening at THE NEON in the next few weeks (as well as to find showtimes for this weekend), please check out our weekly newsletter by following this LINK.

Many thanks for your support!

Jonathan

Cleaning House – 2 New Films & MOONLIGHT (aka Oscar Season) News at THE NEON!

November 8, 2016 By Jonathan McNeal

Hello Everyone!

We’re going completely international this weekend with two exciting, new films – both of which we didn’t think we’d be able to accommodate but many of you have been asking about. At last we’re able to move forward with a film based on the beloved, international bestseller A MAN CALLED OVE as well as the new film from Park Chan-wook – THE HANDMAIDEN (based on the British novel FINGERSMITH). If you still need to see CHRISTINE, CERTAIN WOMEN or KING COBRA, Thursday will be your last chance to see them at THE NEON.

Synopsis for A MAN CALLED OVE: “Stepping from the pages of Fredrik Backman’s international best-selling novel, Ove is the quintessential angry old man next door. An isolated retiree with strict principles and a short fuse, who spends his days enforcing block association rules that only he cares about, and visiting his wife’s grave, Ove has given up on life. Enter a boisterous young family next door who accidentally flattens Ove’s mailbox while moving in and earning his special brand of ire. Yet from this inauspicious beginning an unlikely friendship forms and we come to understand Ove’s past happiness and heartbreaks. What emerges is a heartwarming tale of unreliable first impressions and the gentle reminder that life is sweeter when it’s shared. One of Sweden’s biggest locally-produced box office hits ever, director Hannes Holm finds the beating heart of his source material and Swedish star Rolf Lassgard, whose performance won him the Best Actor award at the 2016 Seattle International Film Festival, affectingly embodies the lovable curmudgeon Ove.” (Music Box Films) THE NEW YORK TIMES called this film “cinematic comfort food,” and I think our audiences are going to love it!

Synopsis for THE HANDMAIDEN: “From PARK Chan-wook, the celebrated director of OLDBOY, LADY VENGEANCE and STOKER, comes a ravishing new crime drama. PARK presents a gripping and sensual tale of two women – a young Japanese Lady living on a secluded estate, and a Korean woman who is hired to serve as her new handmaiden, but is secretly plotting with a conman to defraud her of a large inheritance. Inspired by the novel Fingersmith by British author Sarah Waters, THE HANDMAIDEN borrows the most dynamic elements of its source material and combines it with PARK Chan-wook’s singular vision to create an unforgettable viewing experience.” (Magnolia Pictures) Click this LINK to visit the film’s official site.

For descriptions and showtimes of any current attractions, please visit our website at www.neonmovies.com

The past 30 days have seen whirlwinds of visiting artists and amazing screenings. From The Dayton LGBT Film Fest to TORREY PINES and this Saturday’s incredible screening of SHORTBUS, I couldn’t be more happy with what we’ve been able to achieve right here in Dayton, Ohio. Many thanks to everyone who has supported these incredible events!

Don’t forget about this Thursday’s special screening. Dayton Tech Guide & Launch Runner are joining forces to bring GENERATION STARTUP to town for a one-time screening on Thursday, Nov. 10 at 5:30. “GENERATION STARTUP takes us to the front lines of entrepreneurship in America, capturing the struggles and triumphs of six recent college graduates who put everything on the line to build startups in Detroit…” Click this LINK to reserve your ticket on the official tugg website. If tickets remain on the day of the screening, we will be able to sell them at our box office starting one hour before the show.

Our friends at 4Mary.org are bringing APPARITION HILL to Dayton. “Join 4Mary.Org for a night at the movies! A few years ago, 4Mary.Org organized screenings of the independent film THE TRIUMPH, and it was a terrific success. Now, from the same director, comes the new feature film APPARITION HILL about an unlikely group of pilgrims who journey to the same little-known village of Medjugorje. Three screenings have been scheduled at THE NEON: Mon Nov 21 at 7:30pm, Thurs Dec 8 at 7:30pm, and Mon Dec 12 at 7:30pm. Tickets are $10 each and are only available online via this LINK. All proceeds benefit the 4Mary Youth Pilgrimage to Fatima in 2017. For more info, contact [email protected]” (taken from press notes) To watch a trailer for this film, click this LINK.

And now for some great news! MOONLIGHT is set to open on Nov. 18. This incredible film was one of my “Top 3” films at this year’s Toronto International Film Festival…and it is one of the absolute best reviewed films of the year. I think this film clearly marks the beginning of Oscar Season, and we’ve been able to secure a preview screening on Thursday, Nov. 17 at 7:40. Tickets will be on sale this weekend. Visit the film’s OFFICIAL WEBSITE to learn all about it.

It’s almost time for the Family Holiday Film Series. On Saturdays in December, we’ll present films that are suitable for the entire family…for only $2 a ticket (and FREE for children 12 and under). I’ll provide more details in next week’s newsletter.

Thanks so much for your continued support!

We hope to see you soon,
Jonathan

SHOWTIMES for Tuesday, Nov. 8 – Thursday, Nov. 17:

CERTAIN WOMEN (R) 1 Hr 47 Min
Monday-Thursday (Nov 8-10): 2:50, 7:30
FINAL DAY – Nov. 10!

CHRISTINE (R) 1 Hr 55 Min
Tuesday, Wednesday (Nov 8 & 9): 2:45, 5:20, 7:50
Thursday (Nov 10): 2:45, 7:50
FINAL DAY – Nov. 10!

KING COBRA (NR) 1 Hr 31 Min
Tuesday-Thursday (Nov 8-10): 5:20
FINAL DAY – Nov. 10!

GENERATION STARTUP (NR) 1 Hr 33 Min
Thursday (Nov 10): 5:30
One Screening Only!

A MAN CALLED OVE (PG-13) 1 Hr 56 Min
Friday, Saturday, Sunday (Nov 11-13): 12:00, 2:30, 5:00, 7:30
Monday, Tuesday, Wednesday (Nov 14-16): 2:45, 5:15, 7:40
Thursday (Nov 17): 2:45, 5:15

THE HANDMAIDEN (NR) 2 Hrs 25 Min
Friday, Saturday, Sunday (Nov 11-13): 1:00, 4:00, 7:00
Monday, Tuesday, Wednesday (Nov 14-16): 3:30, 7:15
Thursday (Nov 17): 3:30

MOONLIGHT (R) 1 Hr 50 Min
Thursday (Nov 17) – Preview Screening – 7:40

COMING SOON:
(All Dates Are Tentative. Dates Often Move And Sometimes Disappear.)
Nov. 23 – LOVING
Dec. 21 – LION
TBD – EAGLE HUNTRESS
TBD – NOCTURNAL ANIMALS
TBD – LA LA LAND
TBD – MANCHESTER BY THE SEA
TBD – JACKIE

TIFF 2016 – Day #5

September 13, 2016 By Jonathan McNeal

Hello Everyone.

Thanks for coming back to my blog. I had intended to see more films today, but I got turned away from a screening of JACKIE (along with 200+ other people) because the demand was too big and being 25 minutes early wasn’t enough. That said, there will be another screening Wednesday, so I will know to be extra early.

My first screening of the day was the latest by the prolific (especially for being quite young) Xavier Dolan – IT’S ONLY THE END OF THE WORLD. This is essentially a chamber piece about a gay man who comes to visit his family and tell them he’s dying…he hasn’t been home for 12 years…and it’s quickly evident why he’s been away so long. Though I clearly understand what he’s doing, and the film is ultimately well done (though I do have some complaints about several of his choices), this is a film that’s hard to stomach. The cast is exceptional (I love Marion & Gaspard), but shouting matches, unlikable/annoying characters…it’s not something I can highly recommend.

LOVING, the new film by Jeff Nichols (TAKE SHELTER, MUD), was next on my list. It’s also a film I’ve been looking forward to, and I’m happy to say that it didn’t disappoint. This quiet and eloquent film is about the an interracial couple in Virginia whose illegal marriage and subsequent punishment (they went to D.C. to get married, but it wasn’t recognized in Virginia) eventually caught the attention of the ACLU…and eventually went to the Supreme Court to overturn miscegenation laws. For a film that’s largely about court battles, we only spend a few minutes in court rooms…and that’s refreshing. Instead, we spend lots of time with this Mildred & Richard (stunningly and lovingly played by Ruth Negga and Joel Edgerton) – and watching a couple who are so clearly in love with each other makes such a strong case for marriage equality on many levels.

My final film of the day was LA LA LAND, directed by Damien Chazelle (WHIPLASH). This splashy, colorful, song-and-dance musical harkens memories of a bygone era of the Hollywood studio system. But even more, its influence is from one of my favorite musical directors – Jacques Demy. The opening scene, shot on an L.A. highway, will blow your mind and immediately had me scribble YOUNG GIRLS OF ROCHEFORT in my notes. Starring Emma Stone (who will clearly be nominated for an Oscar) and Ryan Gosling, this film had me on my feet immediately as the “The End” appeared on screen. For the rest of the night, melodies swirled in my head and merely walking down the street was accompanied by the film’s infectious score. I can’t wait to obtain the soundtrack and see the film again!

Tomorrow is an extra busy day. Hoping I’ll be able to stay awake for all of it.

Thanks for reading,

Jonathan

And The Oscar Goes To…

February 27, 2016 By Russell Florence, Jr.

Controversy threatens to diminish the accolades associated with the 88th annual Academy Awards honoring the best cinema of 2015 Sunday, Feb. 28 at the Dolby Theatre in Los Angeles. Oscars So White has been trending since last month, but the broader voting landscape still indicates Hollywood’s surprising leeriness to fully embrace diversity in storytelling and filmmaking. In particular, the marvelously conceived, gay-themed Carol being shut-out of the Best Picture and Director categories is just as disappointing as the egregious omissions of minorities in the acting fields. Nevertheless, the Oscars are an American pop culture tradition worth celebrating in good times and bad. As always, anything is possible when it comes to the 6,261 members of the Academy of Motion Picture Arts and Sciences, specifically their final choice of the evening which will undoubtedly be suspenseful.
Here are my predictions in the top six categories.

BEST PICTURE
The Big Short
Bridge of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant
Room
Spotlight

Overlooked: 45 Years; Amy; Beasts of No Nation; Black Mass; Carol; Clouds of Sils Maria; Creed; The Dairy of a Teenage Girl; The Danish Girl; Ex Machina; Far From the Madding Crowd; The Hateful Eight; Joy; Love and Mercy; Sicario; Steve Jobs; Straight Outta Compton; Trumbo

Will/Should Win: Spotlight

One of the closest Best Picture races in recent history will come down to three choices based on precursors. Spotlight was embraced by the Screen Actors Guild, Revenant was a hit with the Directors Guild, and Big Short wowed the Producers Guild. Revenant has momentum, but the topical, universal, heartbreaking relevance of Spotlight, accented by a tremendous ensemble, gives it the edge.

BEST DIRECTOR
Lenny Abrahamson, Room
Alejandro Gonzalez Iñarritu, The Revenant
Tom McCarthy, Spotlight
Adam McKay, The Big Short
George Miller, Mad Max: Fury Road

Overlooked: Olivier Assayas, Clouds of Sils Maria; Danny Boyle, Steve Jobs; Ryan Coogler, Creed; Cary Fukunaga, Beasts of No Nation; Alex Garland, Ex Machina; F. Gary Gray, Straight Outta Compton; Andrew Haigh, 45 Years; Todd Haynes, Carol; Spike Lee, Chi-Raq; John Madden, Brooklyn; Jay Roach, Trumbo; David O. Russell, Joy; Ridley Scott, The Martian; Steven Spielberg, Bridge of Spies; Quentin Tarantino, The Hateful Eight; Denis Villeneuve, Sicario; Thomas Vinterberg, Far From the Madding Crowd
Will/Should Win: Iñarritu

Miller rebooted Mad Max to the hilt, but Iñarritu, the mastermind honored here last year for Birdman, looks unstoppable as the first director to win back-to-back since Joseph L. Mankiewicz in 1950 for All About Eve.

BEST ACTOR
Bryan Cranston, Trumbo
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl

Overlooked:; Abraham Attah, Beasts of No Nation; Michael Caine, Youth; Tom Courtenay, 45 Years; Paul Dano, Love and Mercy; Johnny Depp, Black Mass; Jesse Eisenberg, The End of the Tour; Domhnall Gleason, Ex Machina; Tom Hanks, Bridge of Spies; Jake Gyllenhaal, Southpaw; Michael B. Jordan, Creed; Ian McKellen, Mr. Holmes; Mark Ruffalo, Infinitely Polar Bear; Matthias Schoenaerts, Far From the Madding Crowd; Will Smith, Concussion

Will/Should Win: DiCaprio

DiCaprio’s rigorous, palpable, raw, and literally gutsy portrayal of fur trapper Hugh Glass is classic, all-about-me Oscar bait from his first scene to his final close-up. Only the reliably versatile Cranston and the most daring performance Redmayne has delivered thus far seem capable of stealing Leo’s overdue Oscar.

BEST ACTRESS
Cate Blanchett, Carol
Brie Larson, Room
Jennifer Lawrence, Joy
Charlotte Rampling, 45 Years
Saoirse Ronan, Brooklyn

Overlooked: Juliette Binoche, Clouds of Sils Maria; Emily Blunt, Sicario; Sandra Bullock, Our Brand Is Crisis; Blythe Danner, I’ll See You in My Dreams; Helen Mirren, Woman in Gold; Carey Mulligan, Far From the Madding Crowd and Suffragette; Bel Powley, The Diary of a Teenage Girl; Zoe Saldana, Infinitely Polar Bear; Maggie Smith, The Lady in the Van; Meryl Streep, Ricki and the Flash; Lily Tomlin, Grandma

Will Win: Larson
Should Win: Blanchett

Blanchett, as captivating and nuanced as ever, mesmerized with delicacy, but Larson is a sure bet for her fierce portrayal of a mother held captive with her son.

BEST SUPPORTING ACTOR
Christian Bale, The Big Short
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed

Overlooked: Josh Brolin, Sicario; Kyle Chandler, Carol; Billy Crudup, Spotlight; John Cusack, Love and Mercy; Jeff Daniels, Steve Jobs; Robert De Niro, Joy; Benecio del Toro, Sicario; Idris Elba, Beasts of No Nation; Sam Elliott, I’ll See You in My Dreams; Paul Giamatti, Straight Outta Compton; Domhnall Gleeson, The Revenant; Walton Goggins, The Hateful Eight; Oscar Isaac, Ex Machina; Samuel L. Jackson, The Hateful Eight; Michael Keaton, Spotlight; Jason Mitchell, Straight Outta Compton; Kurt Russell, The Hateful Eight; Liev Schreiber, Spotlight; Jason Segel, The End of the Tour; Michael Shannon, 99 Homes; Michael Sheen, Far From the Madding Crowd; Alexander Skarsgaard, The Diary of a Teenage Girl; Rick Springfield, Ricki and the Flash; Tom Sturridge, Far From the Madding Crowd; Jacob Tremblay, Room; Stanley Tucci, Spotlight; Forest Whitaker, Southpaw

Will Win: Stallone
Should Win: Rylance

Recent BAFTA winner Rylance, a three-time Tony Award winner with extensive stage credits in London’s West End, relied on the most subtle acting choices to heighten his quietly commanding performance. However, Stallone, nominated for Rocky in 1977, is the sentimental favorite and will likely receive the first standing ovation of the night. If you’re a Stallone fan, have your tissues handy.

BEST SUPPORTING ACTRESS
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Rachel McAdams, Spotlight
Alicia Vikander, The Danish Girl
Kate Winslet, Steve Jobs

Overlooked: Joan Allen, Room; Elizabeth Banks, Love and Mercy; Angela Bassett, Chi-Raq; Jane Fonda, Youth; Mamie Gummer, Ricki and the Flash; Lola Kirke, Mistress America; Laura Linney, Mr. Holmes; Helen Mirren, Trumbo; Sarah Paulson, Carol; Isabella Rossellini, Joy; Kristin Stewart, Clouds of Sils Maria; Tessa Thompson, Creed; Alicia Vikander, Ex Machina; Julie Walters, Brooklyn; Kristin Wiig, The Diary of a Teenage Girl

Will Win: Vikander
Should Win: Mara

Let’s face it. Vikander and Mara commit category fraud for being placed here instead of the leading field where they belong. Nonetheless, both were remarkable and deserve to win despite a late surge for Winslet. Due to Carol’s dwindling support within the Academy, Mara’s incredibly layered and revelatory work will not surpass Vikander’s dynamic breakthrough portrayal of an artist championing and loving her identity-rattled husband against all odds.

The 88th annual Academy Awards, hosted by Chris Rock, will be telecast live Sun. Feb. 28 on ABC at 8:30 pm.